Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 25
... attempt to explore some of the implications of the encounter of peoples , whether direct or indirect , within the ... attempts to make some sense of the process of interaction which resulted from Columbus ' accidental landfall in October ...
... attempt to explore some of the implications of the encounter of peoples , whether direct or indirect , within the ... attempts to make some sense of the process of interaction which resulted from Columbus ' accidental landfall in October ...
Sida 49
... attempt to emigrate , the human organs market , police violence , the hybrid Caribbean , the condition of Dominican women , especially household servants , the situation of Dominican prostitutes and the ecological issue mixed with ...
... attempt to emigrate , the human organs market , police violence , the hybrid Caribbean , the condition of Dominican women , especially household servants , the situation of Dominican prostitutes and the ecological issue mixed with ...
Sida 120
... attempt to intervene and moderate this debate , executive members at the Paris bureau asked that we " stop this arguing " and call ourselves " Aica Micronesian Caribbean " . This seemed to be a particularly humorous , if not surreal ...
... attempt to intervene and moderate this debate , executive members at the Paris bureau asked that we " stop this arguing " and call ourselves " Aica Micronesian Caribbean " . This seemed to be a particularly humorous , if not surreal ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings