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Sida 33
... is concerned 33 ALISSANDRA CUMMINS.
... is concerned 33 ALISSANDRA CUMMINS.
Sida 71
While it is ill - advised to adopt an isolationist stance and deny any relevance of European traditional aesthetics to Caribbean art , the over - determination of our art forms by European and North American concerns is a cause for ...
While it is ill - advised to adopt an isolationist stance and deny any relevance of European traditional aesthetics to Caribbean art , the over - determination of our art forms by European and North American concerns is a cause for ...
Sida 92
Jamaican terrain with little or no concern for the new context in which they are being deployed . ... It is this last category of artists we are concerned with here , art produced by working class men and women with no formal training ...
Jamaican terrain with little or no concern for the new context in which they are being deployed . ... It is this last category of artists we are concerned with here , art produced by working class men and women with no formal training ...
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings