Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 33
... considered adjuncts to the European presence . Ironically as the research gathered impetus , vulnerable Carib- bean countries fell victim to a new colonialism - that of the foreign institution which claimed access , and indeed custodial ...
... considered adjuncts to the European presence . Ironically as the research gathered impetus , vulnerable Carib- bean countries fell victim to a new colonialism - that of the foreign institution which claimed access , and indeed custodial ...
Sida 57
... considered unprofessional for artists to market their own work ; and despite the absence of gallery commission when selling directly from the artist's studio to collectors , the artist's values and reputation will remain limited . New ...
... considered unprofessional for artists to market their own work ; and despite the absence of gallery commission when selling directly from the artist's studio to collectors , the artist's values and reputation will remain limited . New ...
Sida 93
... considered important . Are we to understand that these individuals are wandering around the countryside with their masterpieces hoping to stumble on educated European eyes ? In the case of Eli Jah we're told that her " work is ...
... considered important . Are we to understand that these individuals are wandering around the countryside with their masterpieces hoping to stumble on educated European eyes ? In the case of Eli Jah we're told that her " work is ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings