Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Resultat 1-3 av 25
Sida 9
... Contemporary Caribbean Art . " This paper reflects on the construction of community in contemporary Caribbean art - using the exhibition " Lips , - Sticks , and Marks " to examine the process of community and identity formation . Annie ...
... Contemporary Caribbean Art . " This paper reflects on the construction of community in contemporary Caribbean art - using the exhibition " Lips , - Sticks , and Marks " to examine the process of community and identity formation . Annie ...
Sida 82
... contemporary Jamaican art and its rapidly and fundamentally chang- ing context , particularly the departures from the conventional notions of Jamaican art and ' Jamaican - ness ' . Critics are not the only ones in the Jamaican art world ...
... contemporary Jamaican art and its rapidly and fundamentally chang- ing context , particularly the departures from the conventional notions of Jamaican art and ' Jamaican - ness ' . Critics are not the only ones in the Jamaican art world ...
Sida 90
... contemporary and conceptual work such as that in this exhibition may be discussed as a contribution to particular forms of art practice and may be allowed to find community in new ways . My contention , therefore , is that the ...
... contemporary and conceptual work such as that in this exhibition may be discussed as a contribution to particular forms of art practice and may be allowed to find community in new ways . My contention , therefore , is that the ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings