Från bokens innehåll
Resultat 1-3 av 44
Sida 65
Different cultures use their own historical experiences to create their own approaches to artistic production . It follows that we are foremost concerned with the way cultural mechanisms and historical experiences shape raw material to ...
Different cultures use their own historical experiences to create their own approaches to artistic production . It follows that we are foremost concerned with the way cultural mechanisms and historical experiences shape raw material to ...
Sida 71
On the one hand , this patronage has helped to preserve aspects of the region's folk cultural heritage and has provided some economic support and international exposure for artists . On the other , the emphasis on the romanticized ...
On the one hand , this patronage has helped to preserve aspects of the region's folk cultural heritage and has provided some economic support and international exposure for artists . On the other , the emphasis on the romanticized ...
Sida 72
Archeological excavation as a critical strategy focuses on revealing layers of signification that reflect the mosaic of cultural influences that make up the Caribbean . It seeks to excavate knowledge that reflects ways of knowing unique ...
Archeological excavation as a critical strategy focuses on revealing layers of signification that reflect the mosaic of cultural influences that make up the Caribbean . It seeks to excavate knowledge that reflects ways of knowing unique ...
Så tycker andra - Skriv en recension
Vi kunde inte hitta några recensioner.
Vanliga ord och fraser
activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings
Bibliografisk information
| Titel | Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados |
| Bidragare | International Association of Art Critics. Southern Caribbean |
| Utgivare | AICA, 2000 |
| Original från | Texas universitet |
| Digitaliserad | 24 mar 2008 |
| ISBN | 9768077816, 9789768077813 |
| Längd | 133 sidor |
| Exportera citat | BiBTeX EndNote RefMan |