Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 93
... discussion of the intuitives where Euro - American art language is bandied about such as her description of Leonard Daley as a seem- ingly " prototypical ' outsider ' artist " . Again , outside what ? To whom ? Who's inside , who's ...
... discussion of the intuitives where Euro - American art language is bandied about such as her description of Leonard Daley as a seem- ingly " prototypical ' outsider ' artist " . Again , outside what ? To whom ? Who's inside , who's ...
Sida 100
... discussion of Haitian art the unreflexive reproduction of the categories " mainstream " and " primitive " raises interesting questions and sheds light on the " ideological perspective " which colours Poupeye's narrative . In Haiti so ...
... discussion of Haitian art the unreflexive reproduction of the categories " mainstream " and " primitive " raises interesting questions and sheds light on the " ideological perspective " which colours Poupeye's narrative . In Haiti so ...
Sida 125
... discussion . Throughout the symposium over sixty delegates from around the region listened and responded to fourteen presentations with clarity , vision and passion . The importance of the symposium should be seen as providing a forum ...
... discussion . Throughout the symposium over sixty delegates from around the region listened and responded to fourteen presentations with clarity , vision and passion . The importance of the symposium should be seen as providing a forum ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings