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Sida 93
Again this is most obvious in her discussion of the intuitives where Euro - American art language is bandied about such as her description of Leonard Daley as a seemingly " prototypical ' outsider ' artist " . Again , outside what ?
Again this is most obvious in her discussion of the intuitives where Euro - American art language is bandied about such as her description of Leonard Daley as a seemingly " prototypical ' outsider ' artist " . Again , outside what ?
Sida 100
In her discussion of Haitian art the unreflexive reproduction of the categories " mainstream " and " primitive " raises interesting questions and sheds light on the " ideological perspective " which colours Poupeye's narrative .
In her discussion of Haitian art the unreflexive reproduction of the categories " mainstream " and " primitive " raises interesting questions and sheds light on the " ideological perspective " which colours Poupeye's narrative .
Sida 109
Looking at Art - Imagers “ 21 " At Five O'clock in the Afternoon " BY HUGH CORBIN Discussion of the print works in the Art Foundry exhibit using the dynamic theory of interpretation The prints in this show , prepared by ten local ...
Looking at Art - Imagers “ 21 " At Five O'clock in the Afternoon " BY HUGH CORBIN Discussion of the print works in the Art Foundry exhibit using the dynamic theory of interpretation The prints in this show , prepared by ten local ...
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings
Bibliografisk information
| Titel | Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados |
| Bidragare | International Association of Art Critics. Southern Caribbean |
| Utgivare | AICA, 2000 |
| Original från | Texas universitet |
| Digitaliserad | 24 mar 2008 |
| ISBN | 9768077816, 9789768077813 |
| Längd | 133 sidor |
| Exportera citat | BiBTeX EndNote RefMan |