Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 31
... existence of indigenous occupation , or why these cultures were not to be tolerated but eradicated . In Barbados the colonial system took control with hegemonic determination and eagerly embraced a concept of themselves and their ...
... existence of indigenous occupation , or why these cultures were not to be tolerated but eradicated . In Barbados the colonial system took control with hegemonic determination and eagerly embraced a concept of themselves and their ...
Sida 68
... existence functioned as living proof of the system of colonial repression because it transcended the hierarchical social positions advanced by the binary colonial epistemology . As a process , creolization involves redefinition , self ...
... existence functioned as living proof of the system of colonial repression because it transcended the hierarchical social positions advanced by the binary colonial epistemology . As a process , creolization involves redefinition , self ...
Sida 103
... existence and identity within Barbados , the Caribbean , and the developing world . But to whom are these artists speaking ? Literature has benefited from theoretical studies within university settings and music has become entrenched in ...
... existence and identity within Barbados , the Caribbean , and the developing world . But to whom are these artists speaking ? Literature has benefited from theoretical studies within university settings and music has become entrenched in ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings