Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 67
... experience that cannot be adequately validated using the categories of European and North American experience . Edouard Glissant ( 1981 ) suggests that creolization is fundamental to Caribbean experience , and it functions to shape and ...
... experience that cannot be adequately validated using the categories of European and North American experience . Edouard Glissant ( 1981 ) suggests that creolization is fundamental to Caribbean experience , and it functions to shape and ...
Sida 68
... experience of the Caribbean for several hundred years . What is described as the postmodernist experience is a peculiar phenomenon prevalent in diasporic cultures . Antonio Benitez - Rojo explains that the syncretic nature of Caribbean ...
... experience of the Caribbean for several hundred years . What is described as the postmodernist experience is a peculiar phenomenon prevalent in diasporic cultures . Antonio Benitez - Rojo explains that the syncretic nature of Caribbean ...
Sida 87
... experiences and the ability of marriage as an institution to engender notions of shared community among its members ... experience of marriage does not appear to have drawn Davis any closer to feelings of belonging or community . AICA ...
... experiences and the ability of marriage as an institution to engender notions of shared community among its members ... experience of marriage does not appear to have drawn Davis any closer to feelings of belonging or community . AICA ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings