Från bokens innehåll
Resultat 1-3 av 10
Sida 40
There was also a demarcation of interests between the Barbados Museum and Historical Society , who wished to continue to be responsible for Historical collections , whereas The ACF , ( now the Barbados Gallery of Art ) , wished to have ...
There was also a demarcation of interests between the Barbados Museum and Historical Society , who wished to continue to be responsible for Historical collections , whereas The ACF , ( now the Barbados Gallery of Art ) , wished to have ...
Sida 46
We can certainly say that the engine behind this interest , have been the two Caribbean Biennials . La Havana Biennial , created in 1984 , which in the last two years Lillian Llanes has promoted and shown outside Cuba and the creation ...
We can certainly say that the engine behind this interest , have been the two Caribbean Biennials . La Havana Biennial , created in 1984 , which in the last two years Lillian Llanes has promoted and shown outside Cuba and the creation ...
Sida 79
... promotional tool , which is how many interests in the Jamaican art world would still like to see it today . ... Jamaica's only art journal to date , which came about through the efforts of roughly the same interest group that ...
... promotional tool , which is how many interests in the Jamaican art world would still like to see it today . ... Jamaica's only art journal to date , which came about through the efforts of roughly the same interest group that ...
Så tycker andra - Skriv en recension
Vi kunde inte hitta några recensioner.
Vanliga ord och fraser
activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings