Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
Från bokens innehåll
Resultat 1-3 av 13
Sida 30
... interpretation . The consequences of these several layers of interpretation must be evident . The organisation of the consequent trade in illustrated books must also be recognized . There is yet another perspective to consider . That of ...
... interpretation . The consequences of these several layers of interpretation must be evident . The organisation of the consequent trade in illustrated books must also be recognized . There is yet another perspective to consider . That of ...
Sida 34
... interpretation of these prints in a variety of contexts , not least in museum exhibits acting as authorising agents of authentic histories . The manner in which these relationships shaped notions which entered 19th and 20th century ...
... interpretation of these prints in a variety of contexts , not least in museum exhibits acting as authorising agents of authentic histories . The manner in which these relationships shaped notions which entered 19th and 20th century ...
Sida 89
... interpreted if taken on its own terms . The critic who is concerned with notions of what constitutes Carib- bean art may ... interpretation must eventually subscribe . And an engaged critique of the work may not be allowed to surface . I ...
... interpreted if taken on its own terms . The critic who is concerned with notions of what constitutes Carib- bean art may ... interpretation must eventually subscribe . And an engaged critique of the work may not be allowed to surface . I ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings