Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 92
... intuitive " art is described conforms exactly to the way in which European art history discusses what it calls " naive " or " primitive " art . " They were born with it , this special gift that I call the Intuitive Eye , and it spills ...
... intuitive " art is described conforms exactly to the way in which European art history discusses what it calls " naive " or " primitive " art . " They were born with it , this special gift that I call the Intuitive Eye , and it spills ...
Sida 93
... intuitive with the cultivated and knowing eye of the European ! " That there must be other unknown intuitives is also suggested by the case of Dennis Minott who was discovered acci- dentally in 1989 by a Kingston collector on a trip ...
... intuitive with the cultivated and knowing eye of the European ! " That there must be other unknown intuitives is also suggested by the case of Dennis Minott who was discovered acci- dentally in 1989 by a Kingston collector on a trip ...
Sida 95
... intuitive / main- stream division there is also the tendency to classify artists as " new imagists " " neo- expressionists " and such like . Terms which have no relevance in the Jamaican context and very limited relevance even outside ...
... intuitive / main- stream division there is also the tendency to classify artists as " new imagists " " neo- expressionists " and such like . Terms which have no relevance in the Jamaican context and very limited relevance even outside ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings