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Sida 40
It cannot be because of lack of funds , for the funds allotted to resituation of statues , commemorative structures and special events could have been used to finance and run a splendid National Gallery . Neither were the disagreements ...
It cannot be because of lack of funds , for the funds allotted to resituation of statues , commemorative structures and special events could have been used to finance and run a splendid National Gallery . Neither were the disagreements ...
Sida 41
We do not lack talent , we do not lack infrastructure , we do not lack buyers . We lack focus . The scattered and neglected National Collection is symptomatic of a culture in which the indigenous is loved but not respected .
We do not lack talent , we do not lack infrastructure , we do not lack buyers . We lack focus . The scattered and neglected National Collection is symptomatic of a culture in which the indigenous is loved but not respected .
Sida 110
Emotional Dynamic Although most of the prints are in black and white , the lack of colour does not lessen the presence of an emotional dynamic in several of the works . Other factors help to create a feeling response in viewers .
Emotional Dynamic Although most of the prints are in black and white , the lack of colour does not lessen the presence of an emotional dynamic in several of the works . Other factors help to create a feeling response in viewers .
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings