Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 8
... language and race provoke and the way in which artists are using these experiences for artistic inspiration and dispersing their messages around the world , thereby capturing international atten- tion Tina Spiro ( Jamaica ) ...
... language and race provoke and the way in which artists are using these experiences for artistic inspiration and dispersing their messages around the world , thereby capturing international atten- tion Tina Spiro ( Jamaica ) ...
Sida 93
... language is bandied about such as her description of Leonard Daley as a seem- ingly " prototypical ' outsider ' artist " . Again , outside what ? To whom ? Who's inside , who's outside ? -- These are questions that go unreflected on ...
... language is bandied about such as her description of Leonard Daley as a seem- ingly " prototypical ' outsider ' artist " . Again , outside what ? To whom ? Who's inside , who's outside ? -- These are questions that go unreflected on ...
Sida 120
... language for ourselves and to the larger community . " Undoubtedly this experience inspired the theme for this symposium : Fashioning a Language ; Forming a Dialogue . Our statutes , based on the model supplied by Paris , state that ...
... language for ourselves and to the larger community . " Undoubtedly this experience inspired the theme for this symposium : Fashioning a Language ; Forming a Dialogue . Our statutes , based on the model supplied by Paris , state that ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings