Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 16
... modernism and postmodernism . However , if there are problems with application of the label " modern " to the phase of European art it is used to cover , we may legitimately wonder how ... MODERNISM , POST - MODERNISM & CARIBBEAN IDENTITY.
... modernism and postmodernism . However , if there are problems with application of the label " modern " to the phase of European art it is used to cover , we may legitimately wonder how ... MODERNISM , POST - MODERNISM & CARIBBEAN IDENTITY.
Sida 18
... modernism smothered by the imperialist impulse of modern criticism . Certainly the " postmodern " admission of the inflation of modernist postures is a step forward , but looking from ... MODERNISM , POST - MODERNISM & CARIBBEAN IDENTITY.
... modernism smothered by the imperialist impulse of modern criticism . Certainly the " postmodern " admission of the inflation of modernist postures is a step forward , but looking from ... MODERNISM , POST - MODERNISM & CARIBBEAN IDENTITY.
Sida 19
... modernism . Caribbean Identity and Countermodernity Let me tie these reflections on modernism and postmodernism to the issue of Caribbean identity . First we need to understand the difference between our situation and developed ...
... modernism . Caribbean Identity and Countermodernity Let me tie these reflections on modernism and postmodernism to the issue of Caribbean identity . First we need to understand the difference between our situation and developed ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings