Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 87
... narrative of foundations and beginnings . It presents an Adam and Eve engaged in a very human process of reflection in an environment which could very easily be Caribbean . Eve's countenance suggests more than the religious narrative ...
... narrative of foundations and beginnings . It presents an Adam and Eve engaged in a very human process of reflection in an environment which could very easily be Caribbean . Eve's countenance suggests more than the religious narrative ...
Sida 90
... narrative , and the margins of the modern nation . " In Homi K. Bhabha ( ed . ) Nation and Narration , ( London : Routledge , 1990 ) , 291-322 . 4. Susie Dayal , excerpt of artist's statement , in Lips , Sticks and Marks [ exhibition ...
... narrative , and the margins of the modern nation . " In Homi K. Bhabha ( ed . ) Nation and Narration , ( London : Routledge , 1990 ) , 291-322 . 4. Susie Dayal , excerpt of artist's statement , in Lips , Sticks and Marks [ exhibition ...
Sida 100
... narrative . In Haiti so - called " primitive " artists vastly outnumber so - called " mainstream " ones so wouldn't it be more logical to term them " mainstream " in the Haitian context ? On what basis is a minority of artists ...
... narrative . In Haiti so - called " primitive " artists vastly outnumber so - called " mainstream " ones so wouldn't it be more logical to term them " mainstream " in the Haitian context ? On what basis is a minority of artists ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings