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Irénée Shaw's “ Adam ” and “ Eve ” interrogates the Genesis narrative of foundations and beginnings . It presents an Adam and Eve engaged in a very human process of reflection in an environment which could very easily be Caribbean .
Irénée Shaw's “ Adam ” and “ Eve ” interrogates the Genesis narrative of foundations and beginnings . It presents an Adam and Eve engaged in a very human process of reflection in an environment which could very easily be Caribbean .
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Homi K. Bhabha , “ DissemiNation : time , narrative , and the margins of the modern nation . " In Homi K. Bhabha ( ed . ) Nation and Narration , ( London : Routledge , 1990 ) , 291-322 . 4. Susie Dayal , excerpt of artist's statement ...
Homi K. Bhabha , “ DissemiNation : time , narrative , and the margins of the modern nation . " In Homi K. Bhabha ( ed . ) Nation and Narration , ( London : Routledge , 1990 ) , 291-322 . 4. Susie Dayal , excerpt of artist's statement ...
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In her discussion of Haitian art the unreflexive reproduction of the categories " mainstream " and " primitive " raises interesting questions and sheds light on the " ideological perspective " which colours Poupeye's narrative .
In her discussion of Haitian art the unreflexive reproduction of the categories " mainstream " and " primitive " raises interesting questions and sheds light on the " ideological perspective " which colours Poupeye's narrative .
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings