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The origins of the term lie of course , within the historical construct of a European vision of where these countries lay , who its people were and what they could provide . Very little thought was given to when , in terms of the ...
The origins of the term lie of course , within the historical construct of a European vision of where these countries lay , who its people were and what they could provide . Very little thought was given to when , in terms of the ...
Sida 87
In Shaw's work , the origin of community is not fixed and this calls into question the nature of the community as it currently exists . Notions of space abound in this exhibition and this is perhaps where the work presents its most ...
In Shaw's work , the origin of community is not fixed and this calls into question the nature of the community as it currently exists . Notions of space abound in this exhibition and this is perhaps where the work presents its most ...
Sida 89
How might one reconcile the traditional relationships to land and origins found in the work of Gardner and Martinez with the more interrogative stance of Shaw ? How might the critic organize the bodily experiences suggested by the work ...
How might one reconcile the traditional relationships to land and origins found in the work of Gardner and Martinez with the more interrogative stance of Shaw ? How might the critic organize the bodily experiences suggested by the work ...
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Bibliografisk information
| Titel | Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados |
| Bidragare | International Association of Art Critics. Southern Caribbean |
| Utgivare | AICA, 2000 |
| Original från | Texas universitet |
| Digitaliserad | 24 mar 2008 |
| ISBN | 9768077816, 9789768077813 |
| Längd | 133 sidor |
| Exportera citat | BiBTeX EndNote RefMan |