Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 57
... present high - quality Jamaican Art which does not always find exposure through official channels , and to create artistic cross - fertilization by inviting artists from the rest of the Caribbean to exhibit in Jamaica , ( which lies mid ...
... present high - quality Jamaican Art which does not always find exposure through official channels , and to create artistic cross - fertilization by inviting artists from the rest of the Caribbean to exhibit in Jamaica , ( which lies mid ...
Sida 87
... presents an Adam and Eve engaged in a very human process of reflection in an environment which could very easily be Caribbean . Eve's countenance suggests more than the religious narrative might imply and the viewer is urged to ask ...
... presents an Adam and Eve engaged in a very human process of reflection in an environment which could very easily be Caribbean . Eve's countenance suggests more than the religious narrative might imply and the viewer is urged to ask ...
Sida 103
... present situation , of getting " too contemporary " or making predictions for the future . Instead we feel we should maintain some decorum of historical distance , which presumably lends the possibility of more objectivity . But the ...
... present situation , of getting " too contemporary " or making predictions for the future . Instead we feel we should maintain some decorum of historical distance , which presumably lends the possibility of more objectivity . But the ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings