Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 110
... prints unearths not only a specific message but a whole ethos as well . The Protectors continues her message of the need to offer special care for the young in our time of abandoned values and lost heritage . Spiritual Nurturing subtly ...
... prints unearths not only a specific message but a whole ethos as well . The Protectors continues her message of the need to offer special care for the young in our time of abandoned values and lost heritage . Spiritual Nurturing subtly ...
Sida 114
... print . Joscelyn Gardner's voyage , the objective of her set of four prints , is a more overt journey in search of the self than that shown in the prints of either Nick Whittle or Rosemary Pilgrim . Yet the basic concept of charting ...
... print . Joscelyn Gardner's voyage , the objective of her set of four prints , is a more overt journey in search of the self than that shown in the prints of either Nick Whittle or Rosemary Pilgrim . Yet the basic concept of charting ...
Sida 115
... prints is a laborius and exacting work . In order to achieve the precision of alignment , register and multiple production , the works require expert use of a wide range of tools and technical processes , as well as a careful knowledge ...
... prints is a laborius and exacting work . In order to achieve the precision of alignment , register and multiple production , the works require expert use of a wide range of tools and technical processes , as well as a careful knowledge ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings