Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 7
... Questions about contemporary histories ... " Against the background of the developing modernism in Trinidadian art , the author looks at artists since the early 1980s as they began to question these traditions . The activities of these ...
... Questions about contemporary histories ... " Against the background of the developing modernism in Trinidadian art , the author looks at artists since the early 1980s as they began to question these traditions . The activities of these ...
Sida 63
... questions facing Caribbean art criticism such as : What is Carib- bean art ? What are its aesthetic values ? Is Caribbean art a phenomenon in its own right ? What is the role and purpose of Caribbean art criticism ? In my view , art is ...
... questions facing Caribbean art criticism such as : What is Carib- bean art ? What are its aesthetic values ? Is Caribbean art a phenomenon in its own right ? What is the role and purpose of Caribbean art criticism ? In my view , art is ...
Sida 88
... questions the idea of " spaces we all occupy " and suggests that , if there are such spaces , they are to be found not in the exterior world but in the psyche . The sharing of space here appears to be bound not by geography but by a ...
... questions the idea of " spaces we all occupy " and suggests that , if there are such spaces , they are to be found not in the exterior world but in the psyche . The sharing of space here appears to be bound not by geography but by a ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings