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Sida 66
Historical assumptions about the Caribbean reflect a colonial perspective in which European powers saw the islands as havens of rich bounty . In the 20th century , popular images depict the region as retreats for escape and relaxation .
Historical assumptions about the Caribbean reflect a colonial perspective in which European powers saw the islands as havens of rich bounty . In the 20th century , popular images depict the region as retreats for escape and relaxation .
Sida 72
Archeological excavation as a critical strategy focuses on revealing layers of signification that reflect the mosaic of cultural influences that make up the Caribbean . It seeks to excavate knowledge that reflects ways of knowing unique ...
Archeological excavation as a critical strategy focuses on revealing layers of signification that reflect the mosaic of cultural influences that make up the Caribbean . It seeks to excavate knowledge that reflects ways of knowing unique ...
Sida 108
As this book has attempted to document and reflect upon the last six decades of artistic activity in Barbados , it contributes to this process of self awareness . The multiplicity of images reflect individual insights , as well as the ...
As this book has attempted to document and reflect upon the last six decades of artistic activity in Barbados , it contributes to this process of self awareness . The multiplicity of images reflect individual insights , as well as the ...
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings