Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 56
... region , the dreaming , edgy flow of diverse histories and cultures through our art work , can be sensitively ... region is a gorgeous mosaic of magic and myth . " 4 PART II - Marketing As Caribbean Art is making its debut on the world ...
... region , the dreaming , edgy flow of diverse histories and cultures through our art work , can be sensitively ... region is a gorgeous mosaic of magic and myth . " 4 PART II - Marketing As Caribbean Art is making its debut on the world ...
Sida 58
... region . In the long term , what is needed for the internationalization of Caribbean Art is a museum dedicated to the region . This could be located in any major urban center from Atlanta to Tokyo , but would probably best serve the ...
... region . In the long term , what is needed for the internationalization of Caribbean Art is a museum dedicated to the region . This could be located in any major urban center from Atlanta to Tokyo , but would probably best serve the ...
Sida 71
... region . Expatriate interest has fuelled a romanticized genre of travelogue art featuring Caribbean landscapes and architecture . On the one hand , this patronage has helped to preserve aspects of the region's folk cultural heritage and ...
... region . Expatriate interest has fuelled a romanticized genre of travelogue art featuring Caribbean landscapes and architecture . On the one hand , this patronage has helped to preserve aspects of the region's folk cultural heritage and ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings