Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Resultat 1-3 av 12
Sida 49
... represented by the world's best galleries and they astonish ARCO 97 , 98 visitors ; while the Carpinteros currently ... representing their country all over the world . The new Haitian art , rejects the colorfulness of the famous ...
... represented by the world's best galleries and they astonish ARCO 97 , 98 visitors ; while the Carpinteros currently ... representing their country all over the world . The new Haitian art , rejects the colorfulness of the famous ...
Sida 65
... represents the unity of relations that exists among the various elements of the artwork and which gives shape to it . Artistic form is not universal ; it emerges in a specific artwork . It is what makes the artwork unique . Because form ...
... represents the unity of relations that exists among the various elements of the artwork and which gives shape to it . Artistic form is not universal ; it emerges in a specific artwork . It is what makes the artwork unique . Because form ...
Sida 90
... represents . In this way , contemporary and conceptual work such as that in this exhibition may be discussed as a ... represented at " Lips , Sticks and Marks " spoke about their work on August 29 as part of this symposium . Here ...
... represents . In this way , contemporary and conceptual work such as that in this exhibition may be discussed as a ... represented at " Lips , Sticks and Marks " spoke about their work on August 29 as part of this symposium . Here ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings