Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 35
... seems to me ironic that the first new history of the island subsequent to Schomburghk's history of the 1840's ... seem fairly accurate , it should not be forgotten that these scenes were often the artist's interpretation of an author's ...
... seems to me ironic that the first new history of the island subsequent to Schomburghk's history of the 1840's ... seem fairly accurate , it should not be forgotten that these scenes were often the artist's interpretation of an author's ...
Sida 87
... seems to feel that she must offer her spirit some protection against the confining structure of what we expect of the family and our roles within it . Davis ' insistence on blurring the line between private and public also opens the way ...
... seems to feel that she must offer her spirit some protection against the confining structure of what we expect of the family and our roles within it . Davis ' insistence on blurring the line between private and public also opens the way ...
Sida 100
... seems to suggest that a focus on " local " without amplification into a world - wide declaration renders art which devotes itself primarily to local matters somehow inferior . This would explain her elevation of the work of artists like ...
... seems to suggest that a focus on " local " without amplification into a world - wide declaration renders art which devotes itself primarily to local matters somehow inferior . This would explain her elevation of the work of artists like ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings