Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
Från bokens innehåll
Resultat 1-3 av 11
Sida 65
... shared by many different cultures - can help clarify how different cultures use similar raw materials to create their own unique expressions . Although the basic ingredients are generally the same , a most important factor has to do ...
... shared by many different cultures - can help clarify how different cultures use similar raw materials to create their own unique expressions . Although the basic ingredients are generally the same , a most important factor has to do ...
Sida 86
... sharing certain artistic and philosophical / political preoccupations and this , coupled with the fact that some of them have shared similar educational , generational and gendered experiences , makes them into a kind of community . It ...
... sharing certain artistic and philosophical / political preoccupations and this , coupled with the fact that some of them have shared similar educational , generational and gendered experiences , makes them into a kind of community . It ...
Sida 87
... shared community among its members being chief among these . Davis's musings on her struggles within marriage and ... sharing of intimate experiences which occur within the boundaries of the home . The experience of marriage does not ...
... shared community among its members being chief among these . Davis's musings on her struggles within marriage and ... sharing of intimate experiences which occur within the boundaries of the home . The experience of marriage does not ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings