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we first address those specific historical conditions which legitimized notions of a cultural vacuum , even amongst those sympathetic to the Caribbean situation . Why has the African presence in the Caribbean been neglected ?
we first address those specific historical conditions which legitimized notions of a cultural vacuum , even amongst those sympathetic to the Caribbean situation . Why has the African presence in the Caribbean been neglected ?
Sida 95
and Rex Dixon are three such favoured artists from England and one hopes that they realize how honoured and fortunate they are because in the reverse situation of Caribbean artists who live and work in England for lengthy periods the ...
and Rex Dixon are three such favoured artists from England and one hopes that they realize how honoured and fortunate they are because in the reverse situation of Caribbean artists who live and work in England for lengthy periods the ...
Sida 103
... ( Jamaica : Ian Randle Publishing , 1999 ) ) There is a natural hesitation , or is it academic caution , which makes one wary of assessing our present situation , of getting " too contemporary " or making predictions for the future .
... ( Jamaica : Ian Randle Publishing , 1999 ) ) There is a natural hesitation , or is it academic caution , which makes one wary of assessing our present situation , of getting " too contemporary " or making predictions for the future .
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings