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Sida 49
Since mid - 80's , social criticism has been the prevailing subject matter of Cuban plastic art . ( 4 ) A major effort has been made to export this strong art whose capacity doesn't seem to get exhausted . Its artists win important ...
Since mid - 80's , social criticism has been the prevailing subject matter of Cuban plastic art . ( 4 ) A major effort has been made to export this strong art whose capacity doesn't seem to get exhausted . Its artists win important ...
Sida 63
The Island as Signifier in Caribbean Aesthetics : Toward a Hermeneutics of Caribbean Art Criticism BY GLADSTONE L. YEARWOOD Introduction Prevalent assumptions about art , aesthetics and criticism in the Caribbean emanate from a social ...
The Island as Signifier in Caribbean Aesthetics : Toward a Hermeneutics of Caribbean Art Criticism BY GLADSTONE L. YEARWOOD Introduction Prevalent assumptions about art , aesthetics and criticism in the Caribbean emanate from a social ...
Sida 64
Given the social and economic contingencies facing the Caribbean , an elitist , class - based aesthetic that privileges " art for art's sake " would be irrelevant and arrogant . However , attention to issues of form and technique is ...
Given the social and economic contingencies facing the Caribbean , an elitist , class - based aesthetic that privileges " art for art's sake " would be irrelevant and arrogant . However , attention to issues of form and technique is ...
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings