Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 49
... social criticism has been the prevailing subject matter of Cuban plastic art . ( 4 ) A major effort has been made to export this strong art whose capacity doesn't seem to get exhausted . Its artists win important events such as Kcho in ...
... social criticism has been the prevailing subject matter of Cuban plastic art . ( 4 ) A major effort has been made to export this strong art whose capacity doesn't seem to get exhausted . Its artists win important events such as Kcho in ...
Sida 63
... social reality as opposed to the social , political , racial and gender categories of a Eurocentric world . Art criticism in the region will be strengthened through the development of a critical tradition that helps define the nature of ...
... social reality as opposed to the social , political , racial and gender categories of a Eurocentric world . Art criticism in the region will be strengthened through the development of a critical tradition that helps define the nature of ...
Sida 64
... social relevance and artists can explore their aesthetic sensibilities without imposing didactic and polemical values on the artwork . As a matter of fact , social and political considerations have been integral features of Caribbean ...
... social relevance and artists can explore their aesthetic sensibilities without imposing didactic and polemical values on the artwork . As a matter of fact , social and political considerations have been integral features of Caribbean ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings