Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
Från bokens innehåll
Resultat 1-3 av 24
Sida 38
... society . It is an expression of the culture of a society . It reflects the power structure , the priorities and concerns of a society , not only in what is expressed , but in what is promoted and preserved , encouraged or ignored . The ...
... society . It is an expression of the culture of a society . It reflects the power structure , the priorities and concerns of a society , not only in what is expressed , but in what is promoted and preserved , encouraged or ignored . The ...
Sida 64
... society . Given the social and economic contingencies facing the Carib- bean , an elitist , class - based aesthetic that privileges " art for art's sake " would be irrelevant and arrogant . However , attention to issues of form and ...
... society . Given the social and economic contingencies facing the Carib- bean , an elitist , class - based aesthetic that privileges " art for art's sake " would be irrelevant and arrogant . However , attention to issues of form and ...
Sida 67
... society revolves around a series of natural cycles related to the environment , which are then reflected aesthetically in art through the use of ele- ments such as rhythm and color . Caribbean society is the result of a rich syncretism ...
... society revolves around a series of natural cycles related to the environment , which are then reflected aesthetically in art through the use of ele- ments such as rhythm and color . Caribbean society is the result of a rich syncretism ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings