Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 33
... specific historical conditions which legitimized notions of a cultural vacuum , even amongst those sympathetic to the Caribbean situation . Why has the African presence in the Caribbean been neglected ? Fundamental changes in the ...
... specific historical conditions which legitimized notions of a cultural vacuum , even amongst those sympathetic to the Caribbean situation . Why has the African presence in the Caribbean been neglected ? Fundamental changes in the ...
Sida 65
... specific context of local bread making practices around the world . Processing is the most critical step . It involves the transformation of the raw materials using the culture's specific formal values to create a unique kind of bread ...
... specific context of local bread making practices around the world . Processing is the most critical step . It involves the transformation of the raw materials using the culture's specific formal values to create a unique kind of bread ...
Sida 93
... specific term in the Euro - American context but why should we assume this commonality of language in our context ? Poupeye describes the sudden appearance since the late 80s of a whole host of intuitives " including Paul Perkins ...
... specific term in the Euro - American context but why should we assume this commonality of language in our context ? Poupeye describes the sudden appearance since the late 80s of a whole host of intuitives " including Paul Perkins ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings