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we first address those specific historical conditions which legitimized notions of a cultural vacuum , even amongst those sympathetic to the Caribbean situation . Why has the African presence in the Caribbean been neglected ?
we first address those specific historical conditions which legitimized notions of a cultural vacuum , even amongst those sympathetic to the Caribbean situation . Why has the African presence in the Caribbean been neglected ?
Sida 65
It involves the transformation of the raw materials using the culture's specific formal values to create a unique kind of bread . Particular forms of mixing , baking , kneading , shaping , cooking or frying are used to produce a unique ...
It involves the transformation of the raw materials using the culture's specific formal values to create a unique kind of bread . Particular forms of mixing , baking , kneading , shaping , cooking or frying are used to produce a unique ...
Sida 93
Of course ' outsider art ' is a specific term in the Euro - American context but why should we assume this commonality of language in our context ? Poupeye describes the sudden appearance since the late 80s of a whole host of intuitives ...
Of course ' outsider art ' is a specific term in the Euro - American context but why should we assume this commonality of language in our context ? Poupeye describes the sudden appearance since the late 80s of a whole host of intuitives ...
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings
Bibliografisk information
| Titel | Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, Barbados |
| Bidragare | International Association of Art Critics. Southern Caribbean |
| Utgivare | AICA, 2000 |
| Original från | Texas universitet |
| Digitaliserad | 24 mar 2008 |
| ISBN | 9768077816, 9789768077813 |
| Längd | 133 sidor |
| Exportera citat | BiBTeX EndNote RefMan |