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The fact that we can recognise that this tradition continued well into the 20th century in terms of the output of local ... 18th century - construct of colonialisation As was stated in a forthcoming book Art in Barbados “ the term West ...
The fact that we can recognise that this tradition continued well into the 20th century in terms of the output of local ... 18th century - construct of colonialisation As was stated in a forthcoming book Art in Barbados “ the term West ...
Sida 98
While the work of approved artists is often assessed in terms of their adherence to a Euro - American tradition of art , their grasp and use of precedents set elsewhere , what we are never told is " the nature of their participation in ...
While the work of approved artists is often assessed in terms of their adherence to a Euro - American tradition of art , their grasp and use of precedents set elsewhere , what we are never told is " the nature of their participation in ...
Sida 120
We chose Aica Caribbean - we felt that " Caribbean " was a more current , accurate term - Antilles refers to the islands only - and was no less specific than their first suggestion of AICA Antilles . Again there was dissent from some ...
We chose Aica Caribbean - we felt that " Caribbean " was a more current , accurate term - Antilles refers to the islands only - and was no less specific than their first suggestion of AICA Antilles . Again there was dissent from some ...
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activity aesthetic African AICA southern caribbean American Andrew artists association attempt Barbadian barbados become Biennial called Caribbean art criticism century challenge chapter Collection colonial concept concerned considered contemporary context continue countries create cultural David discourse discussion dynamic E-mail establish European examine exhibition existence experience expression fact forms Gallery Hope human idea identity important integration interest interpretation intuitive island issues Jamaican art lack language Latin American living look Luis Rafael Sánchez means modernism Museum narrative National nature North objects organization origins painting particularly perspective political postmodernism Poupeye present prints problems produced published questions reality recent reflect region relations represents result role seems shared significant situation social society space specific suggests symposium term theme tradition understanding University Veerle views vision visual arts West Western writings