Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
Från bokens innehåll
Resultat 1-3 av 29
Sida 17
... tradition and conservation in the most fundamental way as an aesthetic and a political issue . It doesn't always do it successfully , and it often does it exploitatively . And yet , my main point about contemporary postmodernism is that ...
... tradition and conservation in the most fundamental way as an aesthetic and a political issue . It doesn't always do it successfully , and it often does it exploitatively . And yet , my main point about contemporary postmodernism is that ...
Sida 22
... tradition and convention , and secures dynamism by presuming the socio- historical stagnancy or inflexibility of non - Western cultures , we must seek to recover the appropriate roles of innovation and tradition in the process of self ...
... tradition and convention , and secures dynamism by presuming the socio- historical stagnancy or inflexibility of non - Western cultures , we must seek to recover the appropriate roles of innovation and tradition in the process of self ...
Sida 31
... tradition . So that while he / she might deal in the strange curiosity of the other , he was nevertheless safely ensconced within the context of the Western tradition of art . The fact that we can recognise that this tradition continued ...
... tradition . So that while he / she might deal in the strange curiosity of the other , he was nevertheless safely ensconced within the context of the Western tradition of art . The fact that we can recognise that this tradition continued ...
Vanliga ord och fraser
1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings