Caribbean Art Criticism: Fashioning a Language, Forming a Dialogue : a 3-day Symposium Presented by AICA Southern Caribbean, August 28-30, 1998, Bridgetown, BarbadosAICA, 2000 - 133 sidor |
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Sida 77
... writings — and , therefore , his ideological and aesthetic perspective domi- nated Jamaican newspaper criticism for more than a decade , without significant alter- natives or easily accessible opportunities to respond to his comments ...
... writings — and , therefore , his ideological and aesthetic perspective domi- nated Jamaican newspaper criticism for more than a decade , without significant alter- natives or easily accessible opportunities to respond to his comments ...
Sida 81
... writings have in fact become very feeble , which may stem from his deteriorating health , and he has lost most of his visibility and influence . Crescencia Leon - Medhurst , finally , continued writing on art for the Gleaner until very ...
... writings have in fact become very feeble , which may stem from his deteriorating health , and he has lost most of his visibility and influence . Crescencia Leon - Medhurst , finally , continued writing on art for the Gleaner until very ...
Sida 82
... writings of Andrew Hope is that he has approached Jamaican art from a pre - existing model of what it should and ... writing about art does not pay particularly well in Jamaica and there are quite a few people who would be very competent ...
... writings of Andrew Hope is that he has approached Jamaican art from a pre - existing model of what it should and ... writing about art does not pay particularly well in Jamaica and there are quite a few people who would be very competent ...
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1998 AICA southern 20th century aesthetic African AICA southern caribbean Alissandra Cummins Allison Thompson Amerindians Andrew Hope Antillean Antilles art history artwork Aruba Barbadian barbados Biennial Carib Caribbean art criticism Caribbean artists Caribbean identity challenge chapter colonial concept conceptual dynamic Contemporary Art contemporary Jamaican art context countermodern countries Cozier create creolization David Boxer discourse E-mail European exhibition expression forms Gablik Gleaner Gloria Escoffery Guyana Haiti Haitian art Hill St Homi K idea ideological important indigenous Internationalization of Caribbean intuitive island Jamaican art criticism Kingston language Latin American Art look Luis Rafael Sánchez mainstream modernism and postmodernism modernist Museum narrative National Collection National Cultural Foundation National Gallery Nick Whittle perspective political postmodernism present prints problems produced Puerto Rico reflect region role significant social society space St Michael suggests symposium term theme tradition Trinidad Veerle Poupeye visual arts West Indies Wifredo Lam writings