Literary Criticism in England, 1660-1800Gerald Wester Chapman Knopf, 1966 - 618 sidor |
Från bokens innehåll
Resultat 1-3 av 61
Sida 27
... expressing more than is perfectly conceived , or perfect conception in fewer words than it requires . Which expressions ... expression I refer that clearness of memory by which a poet , when he hath once introduced any person whatsoever ...
... expressing more than is perfectly conceived , or perfect conception in fewer words than it requires . Which expressions ... expression I refer that clearness of memory by which a poet , when he hath once introduced any person whatsoever ...
Sida 353
... expression and a strong expression . These are frequently confounded with each other , though they are in reality extremely different . The former regards the understanding ; the latter belongs to the passions . The one describes a ...
... expression and a strong expression . These are frequently confounded with each other , though they are in reality extremely different . The former regards the understanding ; the latter belongs to the passions . The one describes a ...
Sida 588
... expression , we should certainly have little difficulty in admitting the reading to be genuine , even though it had before appeared to us under a questionable shape , from the singular mode in which it was applied . On an art not ...
... expression , we should certainly have little difficulty in admitting the reading to be genuine , even though it had before appeared to us under a questionable shape , from the singular mode in which it was applied . On an art not ...
Innehåll
INTRODUCTION | 3 |
John Locke | 29 |
JOHN DRYDEN 16311700 | 37 |
Upphovsrätt | |
27 andra avsnitt visas inte
Andra upplagor - Visa alla
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Literary Criticism in England, 1660-1800 Gerald Wester Chapman Fragmentarisk förhandsgranskning - 1966 |
Vanliga ord och fraser
action Addison admiration Aeneid ancient appear Aristotle beauty Ben Jonson called character comedy common composition criticism delight discourse dramatic Dryden effect Eighteenth Century emotion endeavor English epic epic poetry Essay Essay on Criticism excellence expression fancy French genius give Homer Horace Hudibras human humor ideas Iliad images imagination imitation invention John Dryden Johnson Joseph Warton judgment kind knowledge labor language learning literary mankind manner means metaphysical poets Milton mind modern moral nature neoclassic neoclassicism never numbers objects observed opinion original Ovid painting Paradise Lost particular passions perfect perhaps persons philosophers play pleasing pleasure poem poesy poet poetical poetry Pope Preface principles produce qualities reader reason rhyme ridiculous rules satire scenes sense sentiments Shakespeare sometimes sublime taste theory things Thomas Warton thought tion tragedy true truth University verse Virgil virtue words writing