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168. Brass of Sir Robert, 1391, and Sir Thomas, 1412, Swyn-
borne. Little Horkesley, Essex
169. Robert Chamberlain, esquire to Henry V. Cott. MS., Nero,
D. 7. Benefactors of St. Albans Abbey.

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English. Fifteenth

Lydgate's Pilgrim. English. Fifteenth century

172, Cross bowmen. Froissart's Chronicles. National Library,

Paris. Fifteenth century

173. Archers and cross bowman. Reg. MS., 15 E. 4. Chroniques d'Angleterre. Flemish. 1483.

174. Brigandine at Warwick Castle.

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PAGE

206

207

Bromsgrove, Wor

208

171. Thos. Montacute, Earl of Salisbury.

Harl. MS., 4,826.

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215

215

tory of the British Army

Skelton's work

175. Helmets and Salades from various MSS. and Meyrick and

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176. Shield from Meyrick and Skelton's work
177. Effigy of Richard Beauchamp, Earl of Warwick.

Warwick. Stothard.

178. Man at arms. Circa 1480. Reg. MS., 15 E. 4.

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179. Sir Robert Wingfield, 1461-1480, from painted glass in East Herling Church, Norfolk

180. Military and civil costume. Reg. MS., 14 E. 2. Fifteenth

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181. Billman and knight. Cott. MS., Jul. E. iv. Fifteenth century. 215 182. Weapons of the fifteenth century 183. Weapons of the fifteenth century 184. Male costume, from Harl. 4,425, the Romance of the Rose and Reg. MS., 19, c. 8. 1496.

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185. Male costume, from Harl. 4,425, the Romance of the Rose and wall painting, Winchester Cathedral. 1489

186. A gentleman, from Harl. 4,425, the Romance of the Rose 187. A beggar, from Harl. 4,425, the Romance of the Rose. 188. A gallant. Reg. MS., 16 F. 2

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189. Brass of Isabella Cheyne, 1485. Blickling Church, Norfolk. 224 190. Ladies' costume. Reg. MS., 16 F. 2

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191. Margaret, Countess of Richmond, from a portrait in the National Portrait Gallery, and Elizabeth of York, Queen of Henry VII. Hampton Court

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192. Male costume, from the Hotel du Bourgtheroulde
193. Slashed costume, from figure on a column in Ware Chantry,
Boxgrove, Sussex.

1532

194. Portrait of Thomas Howard, Earl of Surrey, by

Stretes. Hampton Court

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195. Catherine of Arragon and Anne Bullin, from engraving by Houbraken

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196. Catherine Parr, from a picture at Glendon Hall, Northhants 233 197. Brass of Dorothea Peckham, 1512, in Wrotham Church, Kent.

234

PAGE

198. Brass of Elizabeth Porte, 1516, in Etwall Church, Derbyshire 234 199. Costume of the commonalty, from engraving of Siege of

Boulogne. Cowdray picture

200. Brass of Laurence Colston, 1550. Rolleston Church, Stafford

shire.

235

238

201. Costume of the Commonalty, from the Progress of Edward VI. 238 202. Effigies of the two wives of Sir John Talbot, who died 1550. Hollis

242

203. John Heywood, from the frontispiece to the Parable of the Spider and the Flie. 1556

204. Anne, daughter of Lady Russell, wife of Lord Herbert, later Marquis of Worcester, and a country woman

205. Part of effigy of Lady Hart, 1587. Lullingstone Church, Kent 206. A supportasse, from an engraving by de Bosse

207. Figures from the tomb of Sir Roger Manwood, 1592. Near
Canterbury

208. Brass of Cicely Page, 1598. Bray Church, Bucks
209. Gentlemen's costumes, from the Book of Falconrie, 1575, and

Elizabeth's Visit to Blackfriars, 1600

210. Slashed breeches, from a woodcut of about 1600

243

244

245

247

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250

251

252

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211. The Englishman, from Andrew Borde's Introduction to Knowledge

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216. Bishop Latimer, from a rare print by Savage
217. Ecclesiastical Vestments. Palmer's Origines Liturgica
218. Gentlemen of the Queen's Chapel. Funeral of Queen Eliza-
beth

266

267

269

219. Legal costume, from Engraving, vol. i. Vetusta Monumenta. 270 220. Effigy of Judge Richard Harpur, from Swarkestone Church,

Derbyshire

221. Brass of Sir Thos. Peyton. Circa 1508. İsleham Church,

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225. Yeomen of the Guard, from pictures at Hampton Court 226. Fashions in beards

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231. Sir George Hart, 1600, from portrait at Lullingstone, Kent 232. The Earl and Countess of Somerset

290

291

233. Brass of Elizabeth Bampfield, 1615. Shorwell Church, Isle

of Wight

293

234, A Yeoman, from Randle Holme's Academy of Arms. 1682. 294

235. A daughter of John Harpur, from his tomb, 1622, in Swarkerstone Church, Derbyshire

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236. Lady and gentleman, circa 1645, from prints of that date 237. Effigies of Anne Stoteville, 1631 (Westminster Abbey) and Dorothy Strutt, 1641. Whalley Church, Essex

238. Lady with patches, from Bulwer's Artificial Changeling.

1650.

PAGE

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296

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300

301

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303

239. The Picture of an English Anticke, from a broadside. 1646 305 240. A Puritan, from a broadside.

1649

241. A Puritan female, from a broadside. 1646.
242. Female costume of the commonalty, from engravings temp.
the Protectorate

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306 306

310

311

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312

313

243. Effigies of Hyacinth and Elizabeth Sacheverel, 1657. Morley Church, Derbyshire

244. A countryman, from a woodcut of the reign of Charles I.
245. A nobleman and his footman, from Ogilby's Coronation of
Charles II.

246. Short-waisted doublet and petticoat breeches, long stirrup,
hose, &c., Randle from Holme's MS. Harl. 2,014
247. Effigies of Johnathas and Elizabeth Sacheverell, 1662.
Morley Church, Derbyshire

248. Costume of a lady, from Nell Gwynne's looking-glass frame.
249. A lady's head, with a pair of locks and curls. Randle Holme
250. Charles II. and a courtier, from the Courtier's Calling.
251. Gentlemen, 1670, from the engraving of General Monk's
funeral

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252. Effigy of John Clobery ob. 1687. Winchester Cathedral 253. Brass of Samuel Harsnett, Archbishop of York, ob. 1631. Chigwell Church, Essex. Waller's Brasses

254. A godly Dissenting brother and a godly brother of the 1646, from a work of that date

Presbyterian way.

255. A bishop, temp. Charles II., and a clergyman. 1680, from prints of the period

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256. A Justice of the King's Bench and the King's Solicitor. Hollar's Coronation of Charles II.

314

315

316

317

320

320

322

324

326

329

332

257. Medical costume, from A Dreame, or Newes from Hell. 1641 .

258. Liverymen of the Leathersellers' Company, from their charter, temp. James I.

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259. Effigy of Sir Denner Strutt, 1641. Whalley Church, Essex 336 260. Helmets of the seventeenth century, from Skelton's engravings of the Meyrick Collection

261. Ferdinand, Lord Fairfax, from W. D. Fellowes' Historical Sketches of Charles I., &c.

262. Pikeman and musketeer, from a print dated 1645

263. Dragoon, from a print dated 1645

264. Fire-arms and plug bayonet.

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265. Yeoman of the Guard, from Hollar's Coronation of Charles II. 342 266. Gentleman and lady about 1688, from a print of the period 267. Costume of the upper classes, of same period as the above

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PAGE

268. An Exquisite, from the Beau's Catechism. 1703.

346

269. Ladies' dresses, from Sutton Nicholl's View of Hampton

Court

348

270. Ordinary walking dress of ladies

349

271. Ladies' head-dresses, No. 3 and 4, from R. de Hooge's Landing of William III.

351

272. Costume of the commonalty.

The woman, from Misson's

Memoires. 1697

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274. General costume, commencement of eighteenth century 275. Ladies in hoop petticoats, about 1718

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276. Ordinary costume of gentlemen, same period as above
277. Gentlemen of about the middle of the reign of Anne, from
Picart's prints

278. Men's hats, 1740-1750

279. Costume of gentlemen and ladies, 1739, from frontispiece to the School of Venus

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280. Costume of gentlemen and ladies, 1744, from prints by

Gravelot

281. The hoop petticoat, from a print dated 1746

282. The hoop petticoat, from the Review, a print of the period 283. Lady's shoe and clog

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285. The hoop skirt, the sacque, and the Nithsdale

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286. Sailor and soldier, 1746, from prints of that date.

379

287. Lady and gentleman, 1760, from prints of that date

382

288. Ladies' head-dress, 1768, from Sieur le Groos' The Ladies'

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290. Costume of country folks, from prints of 1772

389

291. Maccaronis, from prints of 1772

390

292. Ladies in the newest dress, from drawings taken at Ranelagh, May, 1775

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296. Gentlemen's costume, 1793, from prints of that date

403

297. Ladies' costume, 1790, from prints of that date

404

298. Ladies' walking dress, 1796, from The Gallery of Fashion,

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THE

COSTUME IN ENGLAND.

THE EARLY BRITONS.

HE early history of Britain is involved in an obscurity so profound, that conjecture, not fact, can only be offered to those who demand minute information upon it. It will therefore follow, that the costume of the inhabitants is but sparingly alluded to by the few authors of the Classic world who cared to notice these semi-barbarous people.1 A commerce with Britain was commenced at a very early period by the Phoenician merchants, who traded here for tin, which was "so abundant on the coast of Cornwall, that it gave the name Cassiterides to a cluster of islands now called Scilly, from whence the tin was dug and exported.' Strabo, in describing these islands, says: "They are inhabited by a people wearing black garments, or cloaks, reaching down to their heels, and bound round their breasts. They walk with sticks, and wear long beards."3

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1 It must be remembered with regard to the early writers who mention these islands, that in most if not all cases the information they had received was purely local, and only applied to those parts that were in communication with the outer world. Thus Cæsar could only speak with certainty of those tribes inhabiting Kent, Diodorus of Cornwall, Strabo of the Cassiterides, &c.

2 Hoare's "Ancient Wiltshire." The Phoenicians preserved for a long time the exclusive monopoly of this trade, and kept the knowledge of these islands from all other countries, as far as lay in their power; and on one occasion, when a Roman ship was employed to watch the Phoenician vessel, the master of the latter ran his ship on shore, where she was lost, together with the Roman vessel; for which act of heroism he was indemnified from the public treasury.

* He uses language almost identical when speaking of the Iberians of

B

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