Romantic Identities: Varieties of Subjectivity, 1774-1830Cambridge University Press, 13 juni 1996 - 198 sidor A defining feature of Romantic writing, critics have long agreed, is its characterisation of the self in terms of psychological depth. Many Romantic writers, however, did not conceive of the self in this way, and in Romantic identities Andrea K. Henderson investigates Romantic writing that challenges the 'depth' model, or operates outside its domain. Henderson explores various forms of discourse and their perceptions of identity, examines subjects ranging from obstetrics to gothicism, and considers writings by Radcliffe, Byron, Scott, and Shelley, among others. |
Innehåll
models of childbirth II | 11 |
use value and exchange value | 38 |
From race to place in The Prisoner of Chillon | 59 |
Incarnate imagination and The Cenci | 96 |
Centrality and circulation in The Heart of MidLothian | 130 |
Epilogue | 163 |
| 185 | |
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Romantic Identities: Varieties of Subjectivity, 1774-1830 Andrea K. Henderson Ingen förhandsgranskning - 2006 |
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animal appears argues associated Beatrice Beatrice's become Bichat birth body Broussais Byron Cambridge canonical Romantic capitalist Cenci chapter character child childbirth circulation commodity conception context context-based identity corporeal defined depth model describes dramatic economy Effie eighteenth century Eliza O'Neill Ellena embryology emphasis epigenesis exchange value external fact father focus frame-story Godwin gothic characterization gothic novel Heart of Mid-Lothian hierarchical human Hume Ibid ideal imagination inner Jeanie Jeanie's linked M. H. Abrams Madge Mary Shelley material Mathilda metaphor midwifery mind model of identity mother mysterious narrative narrator nature Nihell notion one's organs Percy physiology plate play poem poet poetic poetry political preformationist Prisoner of Chillon production rape reflects relational identity representation represents reproductive role Romantic poetry Romanticism scene Scott sense Set of Anatomical Shelley's Smellie's social society sonnet soul Staunton structure suggests theatrical Tolbooth William Smellie woman women Wordsworth York
Hänvisningar till den här boken
Reading Adaptations: Novels and Verse Narratives on the Stage, 1790-1840 Philip Cox Begränsad förhandsgranskning - 2000 |