Understanding the Elements of Literature: Its Forms, Techniques and Cultural ConventionsMacmillan, 1981 - 234 sidor |
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Sida 137
... ugly , poor , so you worse than nothing . You like me . Small , ugly , with a foot like a ' S ' . Man together two of us is minus one . ( Walcott , p . 237 ) Makak Rise . Take off your boots . Doesn't the Drama and the Theatre 137.
... ugly , poor , so you worse than nothing . You like me . Small , ugly , with a foot like a ' S ' . Man together two of us is minus one . ( Walcott , p . 237 ) Makak Rise . Take off your boots . Doesn't the Drama and the Theatre 137.
Sida 138
... foot ? Don't you hear your own voice in the gibberish of the leaves ? Look how the trees have opened their arms . And in the hoarseness of the rivers , don't you hear the advice of all our ancestors ? When the moon is hidden , look how ...
... foot ? Don't you hear your own voice in the gibberish of the leaves ? Look how the trees have opened their arms . And in the hoarseness of the rivers , don't you hear the advice of all our ancestors ? When the moon is hidden , look how ...
Sida 212
... foot to a prearranged meeting with a lover . Although there is nothing concrete in the text on which to base the idea , it is probably a young man going to see his sweetheart . The poet was a Victorian Englishman and in those bad old ...
... foot to a prearranged meeting with a lover . Although there is nothing concrete in the text on which to base the idea , it is probably a young man going to see his sweetheart . The poet was a Victorian Englishman and in those bad old ...
Innehåll
The Nature of Literature and its Historical Tradition | 1 |
Narrative Fiction and the Printed Word | 39 |
Drama and the Theatre | 101 |
Upphovsrätt | |
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Understanding the Elements of Literature: Its Forms, Techniques and Cultural ... Richard Taylor Ingen förhandsgranskning - 1981 |
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actors actual aesthetic Alexander Pope allegory apron stage associations attitudes audience basic characteristics Chinua Achebe classical comedy complete composition construction context contrast conventions created culture Dalloway dance developed devices drama E. M. Forster effect elements emotional emphasise English epic example expression Ezra Pound fictional world figures of speech genre hand hero heroic historical idea images imagination individual irony Joseph Conrad judgement language literary literature lyric matter and theme meaning method moral musical narrative fiction narrator nature normal novel particular Percy Bysshe Shelley period person phrases playing area plot poem poetic poetry point of view possible present re-creation reader realistic recognise relationship Renaissance rhyme rhythm rhythmic romantic satire scene sentence sequence setting situation social sound patterning stage stanza story stress structure style stylisation subject matter syllables T. S. Eliot techniques tenor texture theatre tradition tragedy triple metre values vehicle verse W. B. Yeats