The Romantic Ideology: A Critical InvestigationUniversity of Chicago Press, 15 feb. 1985 - 172 sidor Claiming that the scholarship and criticism of Romanticism and its works have for too long been dominated by a Romantic ideology—by an uncritical absorption in Romanticism's own self-representations—Jerome J. McGann presents a new, critical view of the subject that calls for a radically revisionary reading of Romanticism. In the course of his study, McGann analyzes both the predominant theories of Romanticism (those deriving from Coleridge, Hegel, and Heine) and the products of its major English practitioners. Words worth, Coleridge, Shelley, and Byron are considered in greatest depth, but the entire movement is subjected to a searching critique. Arguing that poetry is produced and reproduced within concrete historical contexts and that criticism must take these contexts into account, McGann shows how the ideologies embodied in Romantic poetry and theory have shaped and distorted contemporary critical activities. |
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... English poetry - 19th century - History and criticism . 2. Romanticism . I. Title . PR590.M34 1983 821'.7'09145 82-17494 ISBN 0-226-55850-9 ( paper ) The paper used in this publication meets the minimum requirements of the American ...
... English poetry - 19th century - History and criticism . 2. Romanticism . I. Title . PR590.M34 1983 821'.7'09145 82-17494 ISBN 0-226-55850-9 ( paper ) The paper used in this publication meets the minimum requirements of the American ...
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... III . CASSANDRA'S GIFT : ROMANTIC POEMS AND THE CRITIQUE OF IDEOLOGY 9. Coleridge , " Kubla Khan , " and the Later Poetry 95 10. Phases of English Romanticism 107 11. Shelley's Poetry : The Judgment of the Future 118 Contents.
... III . CASSANDRA'S GIFT : ROMANTIC POEMS AND THE CRITIQUE OF IDEOLOGY 9. Coleridge , " Kubla Khan , " and the Later Poetry 95 10. Phases of English Romanticism 107 11. Shelley's Poetry : The Judgment of the Future 118 Contents.
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Introduction | 1 |
Part I Romanticism and Its Critical Representations | 15 |
Part II Romantic Ideas Romantic Poems Romantic Ideologies | 57 |
Romantic Poems and the Critique of Ideology | 93 |
Conclusion | 147 |
The German Ideology Once Again | 153 |
Notes | 161 |
169 | |
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Abrams abstract aesthetic analysis appears artistic Austen ballad Blake Byron called Canto Childe Harold's Pilgrimage cism Coleridge Coleridge's commitments concepts contradictions creative critique cultural despair dialectical displacement doctrine dominant Don Juan emotional English fact false consciousness forms German Ideology Hegel Hegelian Heine Heine's criticism historical human ideal ideas Ideological State Apparatuses illusions imagination important Jane Austen Keats Keats's Kubla Khan later Romantics literary criticism literature Lovejoy Marx Marxist Mellor's method mind non-Romantic observe past Peele Castle philosophers poem's poet poetic polemic political present produced Prometheus Unbound reader relation Romantic Art Romantic Ideology Romantic Irony Romantic Period Romantic poems Romantic poetry Romantic School Ruined Cottage scholarly self-consciousness sense Shelley Shelley's social specific spiritual structures Swingle Swingle's symbolic symbolic art things thou thought Tintern Abbey tion tradition transcend truth verse vision Wellek Wordsworth
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