Prints, Hudson River, cont'd.

388. LIGHT HOUSE NEAR CALDWELL'S LANDING. | (Hudson River.) Left: W. H. Bartlett; right: H. Adlard; centre, below: London, Published for the Proprietors by Geo. Virtue, 26 Ivy Lane, 1838. 434 x 7%. Line engraving.

From W. H. Bartlett's "American Scenery," vol. 1, London, 1840, oppos. p. 63.

389. Entrance of the Highlands. Border of four lines. 28 x 3 13/16; to border line, 25% x 4 1/16. Line engraving.

In "Sketches of scenery and manners in the United States," by the author of the "Northern Traveller" [i. e. Theodore Dwight, jun.], N. Y., 1829, opp. p. 173. At centre of page 173 is the following reference: The annexed sketch may give a general idea of the form of the mountains which mark the southern extremity of this romantic pass.' This, taken with the context, clearly refers to the southern gate or entrance to the Highlands; and the engraving must, therefore, be taken to represent that part of the Hudson between Caldwell's Landing and the Dunderberg on the west side and Anthony's Nose on the east.

390. DONDER BERG POINT: title within border. 3 x 34. Vignette. Wood engraving. [186-?]

391. VIEW on the HUDSON RIVER. Left: 1. Weld delt.; right: S. Springsguth Sculpt.; Published Dec. 22, 1798, by I. Stockdale, Piccadilly. 6 3/16 x 8 11/16. Line engraving. The view is evidently of that part of the river near Anthony's Nose. In Isaac Weld's "Travels through the States of North America, and the Provinces of Upper and Lower Canada, during the years 1795, 1796, and 1797," 4th edition, vol. 1, London, 1807, oppos. p. 268.

In the 2d edition of the book, vol. 1, 1799, oppos. p. 268, this view appeared with the title VIEW on the PATOWMAC RIVER, from Mount Vernon. A foot-note to the list of plates, on the verso of p. xxiii, says: "In some of the impressions, by mistake, called "View of the Patowmac River from Mount Vernon."

392. View of St. Anthony's Nose, on the North River. Province of New York; centre, above title: Engraved by George Cooke; below title: London, Published by Longman, Hurst, Rees, Orme & Brown, Paternoster Row, April 1, 1812. Border of six lines. 5 3/16 x 7 9/16;

to border 5 7/16 x 7%. EM. 8806. From John Pinkerton's "General collection of... voyages and travels," vol. 12, London, 1812, oppos. p. 621.

393. Distant View of the Highlands on Hudson River. Left: Sketched by J. Glennie Esq.; right: Hewitt Sc. Border of one line. 35% x 55%; to border 334 x 5 13/16. Line engraving. From "The Port Folio, third series, conducted by Oliver Oldschool, Esq.," vol. 4, no. 4, Oct. 1814, oppos. p. 343. 394. VIEW

NEAR ANTHONY'S NOSE | (Hudson Highlands.): [title also in French and German.] Left: W. H. Bartlett; right: H. Adlard; centre, below: London, Published for the Proprietors by Geo. Virtue, 26 Ivy Lane, 1839. 4 13/16 x 7%. Line engraving. In W. H. Bartlett's "American Scenery," vol 2, London, 1840, oppos. p. 90.

395. VIEW NEAR ANTHONY'S NOSE. | (Hudson Highlands.) Left: W. H. Bartlett; centre, below: Engraved for the New York Illustrated Magazine. 44 x 7. Line engraving.

Same design as preceding.

a. As described.

*b. With title changed to CAPT. BUNKERS SLOOP, NORTH RIVER. | (Hudson Highlands).

396. ANTHONY'S NOSE. In the foreground three sailing vessels, with steamer at centre beyond and small sailing vessel at right beyond. In lower right corner: ANDERSON S. 538 x 82. Wood engraving. [1845?]

397. SAINT ANTHONY'S NOSE | VIEW ON NORTH RIVER. In the foreground a steamboat with four funnels; with "CHAMPLAIN, TROY" on the stern; on the left, beyond, a steamer with four funnels. Border of one line. 15 7/16 x 23 15/16; to border, 15% x 24 1/16. Lithograph. About 1834. Proof.

Same, colored, and with inked inscriptions: TROY STEAM-BOATS, | Built in 1832, A. D. at left, and ERIE AND CHAMPLAINE. State of New-York, U. S. at right. By hand, on paddle-wheel box of near steamer: CHAMPLAINE TROY, and on the other boat: ERIE. Like the uncolored copy, it shows, in the sky, the penciled (stenciled?) marks put in to guide the colorist.

This and the preceding are the only copies of this print, in any state, that can at present be traced. It is one of the largest and most important of early Hudson River steamboat views. These were the first boats ever built with four smoke-stacks.

398. VIEW NEAR ANTHONY'S NOSE. | Right: Lith. of Sarony & Major, N. Y. 31⁄2 x 5%. Lithograph. [About 1850.]

The firm-name of Sarony & Major appears in the New York City directory from 1847 to 1853.

399. ANTHONY'S NOSE, ON THE MOHAWK RIVER, NEW YORK. In lower left corner: A. Hill. 5 7/16 x 93%. W ood graving. 1857.

A New York Central R.R. train is passing.

Anthony's Nose. See also No. 723.

en

400. "HUDSON HIGHLAND'S-NEAR ANTHONY'S NOSE." Left: W. M. Oddie; right: J. Duthie; centre, below: From the original painting in the possession of the publishers for Irving's Life of Washington | NEW YORK G. P. PUTNAM. Vign. 45% x 7. Line engraving.

In Irving's "Life of George Washington," vol. 2, N. Y., 1861, oppos. p. 274.

401. A collection of half-tones, from photographic views of the Highlands, from the "New York News Letter," 1901, pp. 3-32, viz.: Fort Montgomery, Iona Island, The last of the Palisades, Stony Point, Verplank's Point, The Point-West Point, Tarrytown lighthouse, The Dunderberg, Anthony's Nose, Southern Gate of Highlands (looking South), View from Hill back of Peekskill, Looking Nortb from Old Fort Putnam, Sugar-Loaf Mountain, Breakneck Mountain, Northern Gate of Highlands (looking North), Storm King, A Hudson River tow, near West Point.

A series of half-tones from photographs in a pamphlet issued by the Hudson River Day Line in 1909 shows views of the Southern Gateway of the Highlands." "Stony Point," "The Hudson from West Point," "West Point," "Old Cro' Nest," "Newburgh Bay," "Storm King" and "Kingston Point Landing." They are noted here because in such

Prints, Hudson River, cont'd.

modern prints, easily secured and for that reason, perhaps, often carelessly regarded, views are shown obtainable in no other way.

For older views of the Highlands, see also nos. 707 and 709. 402. VIEW NEAR FORT MONTGOMERY | No. 22 of the Hudson River Port Folio. Left: Painted by W. G. Wall; right: Engraved by J. Hill; centre, below: Published by Henry 1. Megarey New York. Border of two lines, 13 15/16 x 20 15/16; to border, 144 x 21%. Aquatint. [1824-?]

a. As described. Greenish ink.

b. 22 changed to 18, and and transferred to G. & C. & H. Carvill New York added after New York. Brownish ink.

403. FORT CLINTON WEST POINT. 3 7/16 x 6%. Aquatint. EM. 5414.

From "The Port Folio," new series, vol. 5, May, 1811, Phila., N. Y., oppos. p. 449.

404. HUDSON HIGHLANDS—NEAR FORTS CLINTON & MONTGOMERY. Left: W. M. Oddie; right: J. Duthie; centre, below: From the original painting in possession of the publishers, for Irving's Life of Washington. Vign. 45% x 68. Line engraving.

a. India proof, without publication line. EM. 4853.

b. As described.

In Washington Irving's "Life of Washington," vol. 2, N. Y., 1857, oppos. p. 274.

405. FORT PUTNAM WEST POINT. 3 9/16 x 6%. Crude aquatint.

From "The Port Folio," new series, conducted by Joseph Dennie, Esq, vol. 5, May, 1811, Phila.

406. FORT PUTNAM. | Left: Painted by Robt. W. Weir; right: Etched by J. Smillie, finished by A. B. Durand; right, below: Printed by Thomas Illman; centre, below: For the Ladies Companion. 41⁄2 x 6. Line engraving.

407. VIEW FROM FORT PUTNAM. | (Hudson River.) Left: W. H. Bartlett; right: R. Sands; centre, below: London, Published for the Proprietors by Geo. Virtue, 26 Ivy Lane, 1837. 4 11/16 x 7. Line engraving.

a. As described.

From W. H. Bartlett's "American Scenery," vol. 1, London, 1840, oppos. p. 40.

b. With 22 added below, over title, and without publication line.

From W. H. Bartlett's "History of the U. S.," vol. 1, N. Y., 1856, oppos. p. 499.

408. VIEW FROM FORT PUTNAM. Left: W. H. Bartlett; right: J. N. Gimbrede; centre, below: Engraved for the Ladies Companion.

Same design as preceding, with slight changes.

An oval view of "Fort Putnam, looking North," woodengraving, appears in "Graham's Magazine," Dec. 1855, oppos. P. 483.

West Point.

409. WEST-POINT, WITH ITS FORTIFICATIONS &C 1780. Centre: Drawn & Engraved by J. Smillie from the original drawing made in 1780 by L'Enfant, Engineer, U. S.

Army; centre, below: NEW YORK, G. P. PUTNAM; right, below: Printed by W. Pate. Arched top. 3 in centre, 2% at ends x 72. Line engraving.

Mr. J. D. Smillie fixes the date at 1858.

a. As described.

b. With a dash instead of a comma after West-Point, and with the title line (WestPoint to 1780) differently engraved. Plate cut down at both ends, so as to measure 7 7/16 at bottom and 2 7/16 at each end.

In W. Irving's "Life of George Washington," vol. 4, N.Y., 1858, oppos. p. 102 and in same 1861, oppos. p. 108.

410. West Point in 1780, showing where the great chain was stretched across the Hudson River. 2 5/16 x 38.

Trial proof of an etching by W. H. W. Bicknell, published in "The Varick Court of Inquiry.. edited by A. B. Hart," Boston: The Bibliophile Society, 1907.

411. Ancient view of West Point. [The above view of West Point as it appeared during the revolution, is copied from a plate in the New York Magazine, published in 1790. Explanation: A, Constitution Island, on the east side of the river. B, A chain 450 yards in length, reaching across the Hudson. C, Fort Clinton, the principal fort, and intended for the defence of the river against any naval force.] Vign. 2% x 37%. Wood engraving.

In J. W. Barber's "Historical Collections of the State of New York," N. Y., improved edition, 1852, p. 272.

The Library's copy of the New York Magazine" for 1790 does not contain the plate referred to, nor does it appear in the list of illustrations.

412. WEST POINT | No. 16 of the Hudson River Port Folio. Left: Painted by W. G. Wall; right: Engraved by J. Hill; centre, below: Published by Henry I. Megarey New York. Border of two lines. 14 x 21 5/16; to border, 144 x 21 9/16. Aquatint. [1824-?] Same. EM. 8838.

413. To the Cadets of the WEST POINT MILITARY ACADEMY this print is respectfully dedicated, by their friend and servant, Geo. Catlin. Left: Drawn by G. Catlin; right: Engraved, Printed and Coloured by J. Hill; centre, below: Published May 15th, 1828, by G. Catlin N. York. Copy Right secured according to Law | & transferred to G&C&H. Carvill New-York. 11 15/16X 18 3/16. Aquatint in color.

The parade ground, with view of the river.

414. Vue generale de l'École Militaire de West Point. [Same in English, Latin & German.] No. 8 Imp. Lith. de Bove dirigée par Noël ainé & Ce. Left: Lithographié par Deroy; right: Dessiné d'après nature par J. Milbert. Above: 2me. Livraison. AMÉRIQUE SEPTENTRIONALE.-ÉTAT DE NEW-YORK, Pl 4. Border of two lines. 75% x 11 7/16; to border line, 8 x 11 15/16. Lithograph. India paper. In "Itinéraire pittoresque du fleuve Hudson...," by J. Milbert, 1828-29.

415. Plaine de West Point au moment de l'exercice [same in English, Latin & German] No. 7. Imp. Lith. de Bove dirigée par Noël ainé Ce. Left: Lithographié par L. Sabatier

Prints, Hudson River, cont'd.

fig. par V. Adam; right: Dessiné d'après nature par J. Milbert. Above: 2e. Livraison. AMÉRIQUE SEPTENTRIONALE—ÉTAT

DE NEW YORK, PI 3. Border of two lines, 734 x 114; to border, 8 3/16 x 11 11/16. Lithograph. India paper.

In "Itinéraire pittoresque du fleuve Hudson ...," par J. Milbert, 1828-29.

416. West Point. Lithograph. 234x4. 417. The Sugar Loaf. Lithograph. [183-?]

On same sheet as preceding.

[183-?] 234 x 4.

418. WEST POINT MILITARY ACADEMY. Right: Illman & Pilbrow Sc; centre, below: Published by A. K. White. Border of one line, 28 x 48; to border line, 2 15/16 x 4 15/16. Line engraving.

419. MILITARY SCHOOL, WEST POINT, N. Y. Right: Engraved & Printed by | Fenner Sears & Co.; centre, below: London, Published Nov. 15, 1831, by I. T. Hinton & Simpkin & Marshall. Over upper right corner: 77. One border line at right and bottom, two at left and top. 43% x 6 5/16; to border line, 41⁄2 x 62. Line engraving. India paper. From "History and topography of the United States," edited by J. H. Hinton, vol. 2, Phila, 1832, oppos. p. 492. 420. MILITARY SCHOOL, WEST POINT, N. Y. Rectangle with bottom and half of left and right sides surrounded by ornamental frame enclosing two small scenes: HENRY HUDSON FOUNDING NOVA BELGIA OR NEW NETHERLANDS and PETER STUYVESANT THE DUTCH GOVERNOR REPROACHING THE BURGOMASTERS WITH COWARDICE ON THE APPROACH OF THE BRITISH FLEET. At centre, top, small vignette, 43% x 6 5/16; with frame, 6 11/16 x 8 15/16. Line engraving.

Same design as preceding. Apparently from "History of the United States, edited by J. H. Hinton," London [183-?]. 421. MILITARY SCHOOL, WEST POINT,

N. Y. Right: J. Archer Sc. Border of one line at right and bottom, two at left and top. 54x72; to border, 5 9/16 x 734. Line engraving.

a. As described.

From "History and topography of the United States," edited by J. H. Hinton; new edition, vol. 2. Boston, 1834, oppos. p. 370.

b. With Vol. II, page 370 below title, to right.

c. Without the border lines. 422. RIVIERE DU HUDSON. Left: J. Noël, del. right: Outhwaite Sc.; centre, above title: Imp. Ch. Chardon aine Paris. 4 7/16 x 6 3/16. Line engraving. About 1850.

Looking toward West Point from the east shore. Railway train and ferry boat "West Point" in foreground.

423. WEST POINT | (HUDSON) Left: DRAWN AFTER NATURE; right: For the Proprietor HERMANN J. MEYER; centre, below title: Published for HERMANN J. MEYER, 164 William Str., NEW YORK; right, below: Copyright secured according to

ACT of CONGRESS. Border of one dotted line. 4% x 6%; to border, 4 5/16 x 6 5/16. In

United States Illustrated," edited by Charles A. Dana, vol. 1, the East, New York [185-?], opp. p. 37.

424. THE HUDSON, FROM WEST POINT. | Grounds of the U. S. Military Academy. Left: F. F. PALMER, DEL.; centre: Entered according to act of Congress A. D. 1862, by Currier & Ives, in the Clerk's Office of the District Court of the United States for the Southern District of New York; right: LITH. CURRIER & IVES, N. Y.; half way between left and centre: BRASS MORTARS, TAKEN IN THE MEXICAN WAR; half way between right and centre: COLD SPRING. | CONSTITUTION ISLAND; centre, below: New York, Published by Currier & Ives 152 Nassau Street. Border of one line, 10% x 152; to border, II 1/16 x 15 11/16. Lithograph. 425. West Point, from the River. 35% x 6%. Wood engraving after J. D. W[oodward]. 426. THE TOMB OF KOSCIUSKO. Left: W. H. Bartlett; right: R. Young; centre, below: London, Published for the Proprietors by Geo. Virtue 26 Ivy Lane 1837. 434 x 6 15/16. Line engraving.

In W. H. Bartlett's "American Scenery," vol. 1, London, 1840, oppos. p. 30.

427. THE TOMB OF KOSCIUSKO. Left: W. H. Bartlett; right: R. Wallis; centre, within border line: PYNE. 478 x 7 1/16. Line engraving.

The tomb occupies the same position as in the preceding print, but the general design is different.

a. As described.

In W. H. Bartlett's "History of the United States," vol. 1, New York, 1856, oppos. p. 418.

b. With title KOSCIUSKO'S MONUMENT. Margin trimmed close to title. 428. KOSCIUSZKO'S GARDEN. Vign. 31⁄2 x 34. Wood engraving.

429. Das GRAB COSCIUSCO'S | zu Westpoint am Hudson. (VEREIN. STAATEN). Left: Aus d. Kunstanst d. Bibl. Instit. in Hildbh.; right: Eigenthum d. Verleger. Over right upper corner: DCCIII. Border of one dotted line, 4 x 6; to border line, 4 1/6 x 6%. Line engraving.

From Meyer's "Universum," Amerikanische Ausgabe, 6 Bd, 1. Lieferung, N. Y., 1854, oppos. p. 1.

430. View of the Hudson Highlands from West Point. Left: Painted by Robert W. Weir; right: Engraved by James Smillie; centre: Steel Plate; centre, below: PAINTED AND ENGRAVED FOR THE NEW YORK MIRROR 1836. Entered according to the Act of Congress in the year 1836 by G. P. Morris in the Clerk's Office of the District Court of the Southern District of New York. 63% x 9. Line engraving.

a. Trial proof, before letters. b. As described. India paper. Published in "New York Mirror," May 14, 1836. 431. VIEW FROM WEST POINT. | (Hudson River.) Left: W. H. Bartlett; right: R. Wallis; centre, below: London, Published for the

435. HUDSON

RIVER.

Lithograph printed in

POINT. Right: J. H. BUFFORD & SONS LITH. BOSTON, MASS. 5 15/16x9 13/16. Lithograph, one tint. About 1855.

A three-decked steamboat is shown.

436. View on the Hudson, near West Point. Left: Printed by Kimmel & Voigt, N. Y. Centre, below title: Engraved expressly for Demorest's Magazine. 61⁄2 x 92. Line engraving.

437. "View from West Point" by J. F. Kensett. 1863. Canvas, 20 x 34.

Oil-painting in Stuart Gallery, New York Public Library. 438. "View of the Highlands from West Point" by J. F. Weir. 1862. Canvas, 19 x 33. Oil-painting in the Stuart Gallery, New York Public Library. 439. "A Window, House on Hudson River," by W. Whittredge. 1863. Canvas, 27 x 19. Oil-painting in the Stuart Gallery, New York Public Library. 440. West Point and the Highlands. Left: Painted by Henry Fenn; centre: Entered according to act of Congress A. D. 1869 by D. Appleton &Co. in the Clerk's Office of the District Court of the Southern District of New York; In lower right: Engraved by S. V. Hunt.

left corner: H. Fenn, 1868; centre, below: New York, D. Appleton & Co. 5% x 74. Line engraving.

Same. EM. 11962.

From "Picturesque America," vol. 2, N. Y., 1872, oppos. p. 9. 441. VIEW FROM WEST POINT. Hill covered with foliage in most of foreground; steamer beyond, centre, going up the river. 234 x 4 3/16. Line engraving. 442. VIEW FROM WEST POINT-LOOKING NORTH. Fortifications, with four cannon, in foreground. Over upper border, at left of centre: Crow's Nest; at right of centre: Newburgh. 3x4%. Line engraving in color.

Coldspring to Crow Nest.

444. CHAPEL OF OUR LADY OF COLDSPRING. Left: W. H. Bartlett; right: R. Brandard; left, below: CHAPELLE DE NOTRE-DAME DES EAUX FROIDES; right, below: KAPELLE UNSERERER [sic!] FRAUEN ZU COLDSPRING; centre, below: London, Published for the Proprietors by Geo. Virtue, 26 Ivy Lane 1839. 4 11/16x7 3/16. Line engraving.

From W. H. Bartlett's "American Scenery," vol. 2, London, 1840, oppos. p. 100.

445. View near Cold-spring. Left: W. H. Bartlett, del.; right: J. C. Buttre, Sc.; centre, below: Engraved for the Columbian Magazine. 4% x 7%. Line engraving.

Same design as preceding; cross on chapel is omitted, and boat with two men added near sailboat at right. The Library also has a woodcut of the "Church of our Lady of Cold Spring," by J. A. Adams after Weir.

4452. CHAPEL OF OUR LADY OF COLD SPRING. Left: Drawn after nature; right: for the Proprietor, Hermann J. Meyer; centre, below title: Published for HERRMANN J. MEYER, 164 William Street, NEW YORK; right, below: Copyright secured according to ACT OF CONGRESS. Border of one dotted line. 3 15/16 x 6%; to border, 4 1/16 x 6 5/16. In The United States illustrated..., edited by Charles A. Dana," East, vol. 1, N. Y. [185?], oppos. p. 67.

Many artists have found picturesque material along the banks of the Hudson. S. Isham, in his "History of American painting" (N. Y., 1905), p. 235, speaking of the "Hudson River School" of American painters, says: "They gloried in the boundless views of the Hudson Valley seen from the Catskills. One recalls also more recent work by Rix and Dabo, or R. Swain Gifford's etching "A Hudson River Tow" (1879). 446. UNDERCLIFF NEAR COLD-SPRING. |

(The Seat of General George P. Morris.) Left: W. H. Bartlett; right: J. T. Willmore; centre, below: LE ROC; DAS UNTERE GESTADE; | London, Published for the Proprietors by Geo. Virtue 26 Ivy Lane 1839. 478x7 1/16. Line engraving.

In Bartlett's "American Scenery," vol. 2, London, 1840, oppos. p. 18.

447. CROW-NEST FROM BULL HILL. | (Hudson River.) Left: W. H. Bartlett; right: G. K. Richardson. 4 x7. Line engraving. From Bartlett's "American Scenery," vol. 1, London, 1840, oppos. p. 24.

448. CROW-NEST FROM BULL HILL. | (Hudson River). Left: W. H. Bartlett; right: A. L. Dick; centre, below: ENGRAVED FOR THE LADIES NATIONAL MAGAZINE.

Same design as preceding.

453. NEWBURG. | No. 14 of the Hudson River Port Folio. Left: Painted by W. G. Wall; right: Engraved by J. Hill; centre, below: Published by Henry 1. Megarey, New York. Border of two lines, 13 15/16 x 21 1/16; to border, 14 3/16 x 2138. Aquatint. [1824-?] 454. VIEW OF NEWBURGH. Left: Drawn by W. G. Wall; right: Engraved by T. S. Woodcock; centre, below: Boston, Published by S. Walker. Border of one line top and right, two lines left and bottom. 54 x 7%; to border, 5 7/16 x 72. Line engraving.

a. As described.

Same design as no. 454.

a. As described. India paper.

b. With added work in clouds at left, on long roof in centre, etc. Ornamental border added, with vignettes over centre top, at left below, COLUMBUS RELATING HIS DISCOVERIES TO FERDINAND & ISABELLA and at right below, THE HUGUENOTS LANDING IN AMERICA. Inscriptions replaced by VIEW OF NEWBURGH. Centre, below: J. & F. TALLIS. LONDON, EDINBURGH & DUBLIN.

From "History of the United States... edited by J. H. Hinton," part 7, oppos. p. 289.

456. A VIEW ON THE HUDSON RIVER. Wood engraving by ALLANSON, N. Y. 48 x 534.

Printed text below. Left column, lines 11-13: "A section of the river here presented is a few miles below Newburgh, which is to be seen in the distance." The date of this engraving, 1836, fixed by reference to Halley's comet in right column, lines 21-25.

457. ENTRANCE TO THE HUDSON HIGHLANDS, NEAR NEWBURGH. Left: W. H. Bartlett; right: R. Wallis; centre, below: NEW YORK: VIRTUE, EMMINS & CO. Line engraving.

Vignette on engraved title-page of "American Scenery, by N. P. Willis, illustrated. by W. H. Bartlett," vol. 2. London, 1840.

Same. EM. 8439.

458. South View of Newburg. Border of one line. 2% x 3 3/16; to border, 2 3/16 x 4. Wood engraving.

In J. W. Barber's "Historical Collections of the State of New York, N. Y." improved edition, 1852, p. 263.

459. EASTERN VIEW OF NEWBURGH, N. Y., FROM HUDSON RIVER. Below, short description, beginning: "Newburgh is beautifully situated." Border of one line.

3 x 534; to border, 3 1/16 x 5 13/16. engraving.

Wood

461. Distant View of Newburg. 3% x 6%. Wood engraving by KARST after J. D. W[oodward.]

From The Art Journal," 1875, p. 204.

462. Distant View of the Highlands from below Newburg. 54 x 5 3/16. Arched top. Wood engraving after J. D. W[oodward.] From "The Art Journal," N. Y., 1875, p. 205.

463. VIEW FROM RUGGLE'S HOUSE, NEWBURGH. (Hudson River.) Left: W. H. Bartlett; right: R. Brandard; centre, below: London, Published for the Proprietors by Geo. Virtue 26 Ivy Lane, 1838. 5 x 7%. Line engraving.

From W. H. Bartlett's "American Scenery," vol. 1, London, 1840, oppos. p. 51.

464. VIEW FROM RUGGLE'S HOUSE, NEWBURGH. Left: W. H. Bartlett; right: J. N. Gimbrede. 5 x 74. Line engraving.

Same design as preceding. Trimmed close to title. 465. VIEW of the HUDSON RIVER. | NEAR NEWBURG. At right, portico in foreground with two women and a man; at left, in foreground, trees. Centre, below: Published for HERMANN J. MEYER, 8 North William Street NEW YORK. Border of one line. 4 1/16 x 6 1/16; to border, 4 3/16 x 6 3/16. Line engraving.

466. Washington's Head-quarters, Newburgh, N. Y. Left: Robt. W. Weir pinxt.; centre: Steel Plate; right: James Smillie Sculpt.; cen