strength, and duration; of force that resists, as the lion is of force that acts. In short, its bulk, its longevity, and the extraordinary strength and durability of its timber, constitute it the King of Forest trees. These and other characteristics of the Oak are graphically expressed by the Roman poet : Jove's own tree, That holds the woods in awful sovereignty, Full in the midst of his own strength he stands, His shade protects the plains, his head the hills commands. "The Oak grows naturally in the middle and south of Europe; in the north of Africa; and, in Asia, in Natolia, the Himalayas, Cochin-China, and Japan. In America it abounds throughout the greater part of the northern continent, more especially in the United States. In Europe, the Oak has been, and is, more particularly abundant in Britain, France, Spain, and Italy. In Britain two species only are indigenous; in France there are four or five sorts; and in Spain, Italy, and Greece, six or seven sorts. The number of sorts described by botanists as species, and as natives of Europe, exceed 30; and as natives of North Ame rica, 40. The latter are all comprised between 20° and 48° N. lat. In Europe, Asia, and Africa, Oaks are found from 60° to 18° N. lat., and even in the Torrid Zone, in situations rendered temperate by their elevation." In In Britain, the Oak is everywhere indigenous, the two species being generally found growing together in a wild state. It, however, requires a soil more or less alluvial or loamy to attain its full size, and to bring its timber to perfection; these being seldom attained in the Highlands of Scotland, where it is still abundant in an indigenous state. The two species, Q. robur, or pedunculata, and Q. sessiliflora, are readily distinguished from each other by the first having the leaves on short stalks, and the acorns on long stalks, the other by the leaves being long-stalked, and the acorns short-stalked. full-grown trees of the two species there is little or no difference either in magnitude and general appearance, or in quality of timber. Q. robur being the most abundant, is called the Common Oak. Its twigs are smooth and grayish-brown: leaves deciduous, sessile, of a thin texture, obovate-oblong, serrated, with the lobes entire, and nearly blunt, diminishing towards the base; a little blistered, and scarcely glossy, with some down occasionally on the under side: acorns oblong, obtuse, much longer than the hemispherical scaly cup, placed on long peduncles. The distinguishing characters or the less common species, Q. sessiliflora, the sessilefruited oak, are, leaves on longish foot-stalks, deciduous, smooth, and oblong, the sinuses oppo site, and rather acute, the fruit sessile, oblong. In other respects it so closely resembles the other species, that of the numerous trees recorded for their enormous dimensions, age, and other peculiarities, the species is seldom particularized. Loudon believed that no important or constant difference exists between the mode of growth of the two kinds, individuals of both being found equally pyramidal, fastigiate, or orbicular. He considered, however, that Q. sessiliflora could "readily be distinguished even at a distance, by the less tufted appearance, and generally palish green of its foliage in summer, and in winter by its less tortuous spray and branches, by its light coloured bark, by its large buds, and by its frequently retaining its leaves after they had withered, till the following spring." The Oak, says Mr. Gilpin, is confessedly the most picturesque tree in itself, and the most accommodating in composition. It refuses no subject, either in natural or artificial landscape; it is suited to the grandest, and may with propriety be introduced into the most pastoral. It adds new dignity to the ruined tower and Gothic arch; it throws its arms with propriety over the mantling pool, and may be happily introduced into the humblest scene. Imperial Oak, a cottage in thy shade Careless of centuries, even in decay Majestic: thy far-shadowing boughs contend With time: the obsequious winds shall visit thee, W. TIGHE. The longevity of the Oak is supposed to extend beyond that of any other tree. It is through age that the Oak acquires its greatest beauty, which often continues increasing, even into decay, if any proportion exists between the stem and the branches. When the branches rot away, and the trunk is left alone, the tree is in its decrepitude, the last stage of life, and all the beauty is gone. Spenser has given us a good picture of an Oak just verging towards its last stage of decay : -A huge Oak, dry and dead, Still clad with reliques of its trophies old, Whose foot on earth hath got but feeble hold, And, half disbowelled, stands above the ground And trunk all rotten and unsound. He also compares a gray-headed old man to an aged There they do find that goodly aged sire, Montgomery, too, does not forget to observe the longevity of the sturdy Oak: As some triumphal Oak, whose boughs have spread As we before noted, the beauty of almost every species of tree increases after its prime; but unless it hath the good fortune to stand in some place of difficult access, or under the protection of some |