Making Subject(s): Literature and the Emergence of National Identity

Framsida
Taylor & Francis, 1998 - 242 sidor
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.

Från bokens innehåll

Innehåll

Subjects of Empire and Nation 382
3
Colonizing Nations and the Public Theater in Early
31
The Tempest and
57
Pedagogical and Performative Nationalism in Ousmane
97
Midnights
145
Conclusion
187
Notes
197
Bibliography
223
Index
235
Upphovsrätt

Andra upplagor - Visa alla

Vanliga ord och fraser

Hänvisningar till den här boken

Bibliografisk information