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riority and a consequent right to dictate. Thus Dante, for example, for having followed the dictates of his own genius, and by that means done more for the literature of his country than all those who preceded him, was hooted at by the ignorant and contemned by the vulgar to the end of his life, thus making his great name both the glory and disgrace of Italy. Thus Milton, for having turned away indignant from the false glare and insipid tawdriness of the court of Charles and his hopeful compeers, and for having dared to lift his undimmed eye heavenward and drink in the music which came rushing over him from the golden gates of Paradise, was disgraced and contemned and styled an old school-master,' the poor merit only being allowed him of having written a very long and very dull poem. And thus Wordsworth, in our times, for having freed himself from the false taste that shackles English poetry, and arrogated to himself the high honor of bringing back the ease, the virtue, the naturalness of former times; for having dared to frown in simple dignity on the meretricious works of his contemporaries, and take the reins from such hands as Moore and Byron, those murderers of genuine sentiment and panders of corruption, has been met in many instances, and by minds of the first stamp, with a coarse and daring scorn, a bitterness little short of personal hatred, and a satire not much above scurrility. He has been denounced as the founder of a new school of poetry disgraceful to literature, as giving sanction to principles at once puny and absurd, as introducing a theory to prostrate the noble art of poetry to the level of the meanest, and thus foist upon the sacred mount where Homer, Shakspeare, and Tasso sit enthroned, the merest witlings of insignificance. How far these charges are entitled to credence, and how far they can be supported by an appeal to facts, it is our purpose here to examine; and if we do not sadly miscalculate our abilities, and the exceeding freedom with which even dullness might perform the task, we shall hope to set Mr. Wordsworth in his true light, and thus vindicate from these foul aspersions, one of the first intellects of the age.

There is not a more requisite qualification, even at the present day, when assertions of Wordsworth's claims to preeminence are becoming in some measure fashionable, and the leading presses of Europe are beginning to learn justice; when the benign influence of his great mind is beginning to be felt in the literary atmosphere, and the froth and scum of the powerful trash and prostituted genius of the age are beginning to separate from the mass, and show how little of what first astonished us is worthy of admiration; when society is beginning to rouse itself from that moral paralysis, into which such minds as Byron have thrown it, and a more invigorating pulse is beginning to be felt in the very heart of the republic of letters; I say, even at this time, there is not a more necessary requisite, than a large stock of charity. There is need of charity for the notes of the smaller magpies on the mount of criticism, or like the poor

hen-pecked figurante in the Legend of Sleepy Hollow, we shall think all the world crazy. Society is still filled with these retailers of old opinions, and the periodical press with unforgotten calumnies; the change has not yet become thorough, the conviction has not been radical, the renovation complete; it still confines itself to the presiding spirits of literature, the effect not yet having worked its way downward to the common mind. Nothing is more common than to hear theories attributed to Wordsworth, of which he never had a conception, and faults saddled upon him of which he is entirely innocent, as much so as these critics are of any thing like a capacity to comprehend him; nothing is more common than to hear rules and principles laid down, principles which Wordsworth entirely disowns, and supported by all the arrogance of genuine ignorance; nothing is more common, than to meet a man charged to the very throat with abuse and bitterness, who upon the questioning can no more give you one of the peculiarities of Wordsworth's style or character, than he could of one of the authors before the deluge; add to this the fact, that such numbers have committed themselves in opposing him, and the common pride of the heart preventing an acknowledgment; also, the number whose minds are preoccupied by the writings of some other author; also, that it is the interest of many to hold these opinions, as for instance with editors and magazine writers, who must necessarily pamper the appetite they live by; also, that there is a large class of minds in this world who can see no good in any thing; men who are entirely destitute of the faculty to admire, who both by nature and habit are better fitted to magnify the spots on the sun than the sun itself; men entirely destitute of generous sympathy, who measure works by the scarcity of errors rather than the prevalence of beauties; men in idea only, walking skeletons of cold blooded captiousness, who snarl upon principle and bite for amusement; men who advance to the work of purifying literature, as the anatomist approaches with knife and scalpel to mangle and murder, the veriest leeches in the republic of letters, sucking from it its life blood; men who have no more notion of the spirit of a language than the vampire they emulate, who talk by method and put words together by dictionaries; and who could they carry their rules out and have our literature shaped by it, would leave us nothing but a soulless jargon of elegant imbecility; it would be like the face of the dead, conforming indeed in outline to the rules of beauty, without the life-giving power of its intelligence.

But it has been Wordsworth's misfortune also to suffer by means of his friends as well as his enemies. The same fascination which is seen to hold the followers of Coleridge, when imbued with the spirit of his wonderful yet dangerous philosophy, is as manifest in those of Wordsworth. They look up to him with a kind of veneration, which none can know but those who thoroughly understand

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him, and a kind of transfusion of the poet's thoughts feelings and sympathies into their own breasts, makes every attack on him seem an attack on themselves. There is a tenderness in them in behalf of his reputation, so extremely sensitive as often to become laughable; and it cannot be denied that sometimes they are led thereby, into much extravagance. Such is the place he holds in their hearts, that every charge made against any of his peculiarities, is not a charge in their view preferred against an author, and pertaining therefore to the safety of literature, but as one made against an absent friend and teacher, and they therefore demand for him the same immunities. They enter upon a defense of him, with the predilection that he must be right, and they are as a consequent supplied with negatives to every accusation, and are not always so willing to be candid as propriety demands. Of course, however advantageous they may be in some respects, and however flattering it must be to the personal pride of the poet, friends of this kind are not in all cases prepared to advance his reputation. A man of true genius is never injured by just and honorable criticism; on the contrary he is benefited, for the discussion must always elicit his excellence; and for them to suppose that Wordsworth is altogether above criticism, is at once advancing a claim which is not true in fact, and which if it were, it is not always politic to urge. Enemies are never so bitter as when drawn up in fight, and the opposers of Wordsworth would be more willing to allow him decided merit, would his friends only forego certain claims which are inconsiderable, besides being not well founded. It is the forgetfulness of this which, more than any thing else, has swelled the cry against him into a thunder-peal, and drawn forth his most indefensible writings; and if his friends could be persuaded of this, and learn to speak of him as a little less superhuman, much opposition would cease. It is beyond dispute, that some of his poetry is so very modest in the claims it advances to be designated as such, that, to say the least, a man must have all his wits about him to defend it. The incongruity discovered when much, we may say most, of his poetry is compared with his own theory, a theory in many respects objectionable though the model of some of the most transcendantly beautiful verses in the language, is another source of difficulty. The acknowledged inequalities of his blank verse also have not escaped censure; and add to all this, that his thoughts and theories, his manner and method are entirely opposed to the prevailing taste of the day, and we shall easily see that the number of opposers must necessarily be great, and the grounds they go upon are by no means so contemptible as is supposed. The only wonder is, that there are not more who oppose him; indeed it is astonishing, that with all these difficulties, he should, in the short space of ten or fifteen years, have so far succeeded in bringing back to its former purity, the vitiated taste of the age, and established in the very heart of this corruption, and within

hearing of the coarse yet powerful strains of Byron, a school at once pure in sentiment, elevated in thought, and harmonious in diction; that it should be said of him, within the limits of these same few years, and be found recorded in the pages of the same journal, "Mr. Wordsworth is a weak, puny dresser-up of prosy thoughts, and one of the master spirits of the age;" that he should have created a home for himself in the hearts of thousands on both sides of the Atlantic, opened to the mind of man an entire new world of thought, taught him to look upon this broad inanimate world, as a bright animate

-"dwelling place

For all sweet sounds and harmonies;"

and by his matchless intellect alone, have succeeded in chaining poetry and philosophy together, until poetry's eagle wing, lifting her more sluggish sister, they have both soared untrodden heights, and tracked their bright way to the very throne of God. The man unread in Wordsworth, cannot imagine the force and depth of his philosophy, the amazing power of his imagination, or the full sounding harmony of his language. He has flung a new life over every feature of nature; new beauties and new associations are linked with the most common every-day objects; nothing has seemed to escape the magic wand of the enchanter. The merest leaf of the forest, or the bald and rugged mountain rock, alike furnish thoughts for him; the stream as you pass it has a truth for you, the torrent and the flood have a voice, and you cannot look upon the ocean but its thunder is a moral. Thus he has not only linked with nature a song and a sentiment, but he has made her the oracle of truth, and the representative and counterfeit of all that is beautiful and pure in christian charity; and no man, imbued with the deep and solemn spirit of his narrative, can look upon the face of nature or of human society, but there is a breathing in his heart of kindness to all men, and love which can never die. And the fact that he possesses this power over others, this power of moulding young minds into his own peculiarities, and chaining them to him with a love little short of idolatry, is at once the proudest testimony of his colossal genius. If there was nothing else to judge by, if he had been convicted of every possible error both of feeling and philosophy, and when called up to the bar of criticism, found himself obliged to answer to every fault in the vocabulary of Aristotle, there would need no other proof of his great and profound mind than is afforded by this. It is the province of great minds to make minds, and Mr. Wordsworth can put in his claims here beyond those of any of his contemporaries. He can claim to have affected the thinking mind of Europe beyond that of any other poet whatever; to have laid a deeper and broader foundation for a true fame, that is, on the understanding rather than the opinions of men, to have exerted, notwithstanding the ridicule

heaped upon him, a silent yet powerful interest; to have opened new sources of feeling in the human bosom, and won the love of thousands. The still sad music of humanity' is the cry which is ever ringing in his ears, and he has learned to look upon himself and every other creature, as individuals of one mighty brotherhood, moulded and banded together by the hand of the Almighty; to feel it incumbent upon every man, alike the poet and the peasant, the man of taste and the philosopher, to consecrate himself in his individual station to the advancement of truth; and thus, lightening each other's burdens and smoothing down the rough pathway of life, we may go on our way rejoicing together, looking by the eye of faith through the misery that surrounds us, up to that other world of glory inapproachable, where we shall all be united to our common Father, and join in one bursting hymn of hallelujahs to the Lord God Almighty!

And in this day of filth and corruption, when guilt grows barefaced, and great minds are grown panders of corruption, there should be a loud call of thanks to every such man, as, despising the polluted paths of his predecessors, dares make poetry the vehicle of virtuous sentiments, and the handmaid of religion. This has Wordsworth done, and this not an enemy can deny; he has in the face of all opposition, kept his eye to the mark, and nerved himself for conflict; and in after years, when envy hides her head and adventitious circumstances are forgotten, when the bubble popularity has been blown away by the very breath which created it, and posterity shall select those of this age who shall be thought worthy to be immortal, the name of Wordsworth shall be found by that of Milton, each reflecting the other's glory, and brightening down the pathway of time.

We propose to discuss in some of our subsequent papers, and in the following order,

1. The Lake School of Poetry.

2. The poetic theory of Wordsworth.

3. His poetry; when, so far as we can, we shall set forth his philosophy.

And though we cannot hope to be always edifying, or that we are not writing for many who understand the matter as well or better than we do, yet we may trust that our efforts will throw a little light into some minds, where, owing to circumstances, Mr. Wordsworth is receiving something less than that high admiration which his great genius demands.

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