The soldan strucke a second stroke, The soldan strucke a third fell stroke, The knighte he leapt upon his feete, Quoth hee, But heaven be now my speede, He grasped his sworde with mayne and mighte, He drave it into the soldan's syde, Then all the people gave a shoute, When they sawe the soldan falle : And nowe the kinge with all his barons But he for payne and lacke of bloude And there all walteringe in his gore, Come downe, come downe, my daughter deare, Thou art a leeche of skille; Farre lever had I lose halfe my landes, Than this good knighte sholde spille. Downe then steppeth that fayre ladyè, And shriekte and swound awaye. O ladye, I am thine owne true love; Then giving her one partinge looke, But when she found her comelye knighte She layde her pale cold cheeke to his, O staye, my deare and onlye lord, That burst her gentle hearte in twayne, V. EDWARD, EDWARD A SCOTTISH BALLAD From a manuscript copy transmitted from Scotland QUHY dois zour brand sae drop wi' bluid, Edward, Edward? Quhy dois zour brand sae drop wi' bluid ? And quhy sae sad gang zee, O? O, I hae killed my hauke sae guid, Mither, mither: O, I hae killed my hauke sae guid: Zour haukis bluid was nevir sae reid, Edward, Edward. O, I hae killed my reid-roan steid, Mither, Mither: O, I hae killed my reid-roan steid, That erst was sae fair and free, O. * Zour steid was auld, and ze hae gat mair, O, I hae killed my fadir deir, O, I hae killed my fadir deir, Mither, mither: Alas! and wae is mee, O! And quhatten penance wul ze drie for that, Edward, Edward? Ile set my feit in zonder boat, Ile set my feit in zonder boat, Mither, mither: And Ile fare ovir the sea, O. And quhat wul ze doe wi' zour towirs and zour ha', Edward, Edward? And quhat wul ze doe wi' zour towirs and zour ha', Ile let thame stand til they doun fa', Mither, mither: Ile let thame stand till they doun fa', For here nevir mair maun I bee, O. And quhat wul ze leive to zour bairns and zour wife, And quhat wul ze leive to zour bairns and zour wife, The warldis room, let thame beg throw life, Mither, mither: The warldis room, let thame beg throw life, And quhat wul ze leive to zour ain mither deir, And quhat wul ze leive to zour ain mither deir? The curse of hell frae me sall ze beir, Mither, mither: The curse of hell frae me sall ze beir, Sic counseils ze gave to me, O. This curious song was transmitted to the Editor by Sir David Dalrymple, Bart., late Lord Hailes. VI. KING ESTMERE This old romantic legend (which is given from two copies, one of them in the Editor's folio manuscript but which contained very great variations,) bears marks of considerable antiquity, and perhaps ought to have taken place of any in this volume. It should seem to have been written while part of Spain was in the hands of the Saracens or Moors; whose empire there was not fully extinguished before the year 1491. The Mahometans are spoken of in ver. 49, &c. just in the same terms as in all other old romances. The author of the ancient legend of "Sir Bevis" represents his hero, upon all occasions, breathing out defiance against Mahound and Termagaunte;1 and so full of zeal for his religion, as to return the following polite message to a Paynim king's fair daughter, who had fallen in love with him, and sent two Saracen knights to invite him to her bower: I wyll not ones stirre off this grounde, Indeed they return the compliment by calling him elsewhere “A christen hounde." 3 This was conformable to the real manners of the barbarous ages: perhaps the same excuse will hardly serve our bard; for that the Adland should be found lolling or leaning at his gate (ver. 35.) may be thought perchance a little out of character. And yet the great painter of manners, Homer, did not think it inconsistent with decorum to represent a King of the Taphians leaning at the gate of Ulysses to inquire for that monarch, when he touched at Ithaca as he was taking a voyage with a ship's cargo of iron to dispose in traffic. So little ought we to judge of ancient manners by our own. Before I conclude this article, I cannot help observing that the reader will see, in this ballad, the character of the old minstrels (those successors of the bards) placed in a very respectable light : 5 here he will see one of them represented mounted on a fine horse, accompanied with an attendant to bear his harp after him, and to sing the poems of his composing. Here he will see him mixing in the company of kings without ceremony: no mean proof of the great antiquity of this poem. The further we carry our inquiries back, the greater respect we find paid to the professors of poetry and music among all the Celtic and Gothic nations. Their character was deemed so sacred, that under its sanction our famous King Alfred (as we have already seen 6) made no scruple to enter the Danish camp, and was at once admitted to the 1 See a short Memoir at the end of this ballad, Note tit. 2 Sign. C. ii. b. 4 Odyss. A. 105. 3 Sign. C. i. b. 5 See Series II. Book ii. No. 16, Note subjoined to the first Part of Beggar of Bednal, &c. 6 See the Essay on the ancient Minstrels prefixed to this volume. HÄDNADY COLLEGE LIBRARY - WIDENER LIBRARY king's head-quarters. Our poet has suggested the same expedient to the heroes of this ballad. All the histories of the North are full of the great reverence paid to this order of men. Harold Harfagre, a celebrated King of Norway, was wont to seat them at his table above all the officers of his court: and we find another Norwegian King placing five of them by his side in a day of battle, that they might be eyewitnesses of the great exploits they were to celebrate. As to Estmere's riding into the hall while the kings were at table, this was usual in the ages of chivalry; and even to this day we see a relic of this ancient custom still kept up, in the champion's riding into Westminster-hall during the coronation dinner.3 Some liberties have been taken with this tale by the Editor, but none without notice to the reader in that part which relates to the subject of the Harper and his attendant. HEARKEN to me, gentlemem, Come and you shall heare; Ile tell you of two of the boldest brethren 4 The tone of them was Adler younge, The tother was kyng Estmere ; 5 As they were drinking ale and wine Then bespake him kyng Estmere, Kyng Adland hath a daughter, brother, Saies, Reade me, reade me, deare brother, 1 Even so late as the time of Froissart, we find minstrels and heralds mentioned together, as those who might securely go into an enemy's country. Cap. cxl. 2 Bartholini Antiq. Dan. p. 173. Northern Antiquities, &c. vol. i. pp. 386, 389, &c. See also the account of Edw. II. in the Essay on the Minstrels, and Note (x). 4 "Brether." Fol. MS. 6 "Hartilye." Folio MS. 5 "His brother's hall." Folio MS. |