Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volym 61Gale Research Company, 1984 |
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Sida 81
... kind of distinction , alleg- edly ignored by Posthumus even though it too is naturally obvious . This is the difference between commonness and incommensurable uniqueness . The " Roman woman " is one of many , basely commensurable or ...
... kind of distinction , alleg- edly ignored by Posthumus even though it too is naturally obvious . This is the difference between commonness and incommensurable uniqueness . The " Roman woman " is one of many , basely commensurable or ...
Sida 92
... kind so long out of use both by himself and by other dramatists ? And just what kind of history play is Henry VIII ? The Prologue warns us that this is not the usual kind of stage history . This play , the Prologue declares , has none ...
... kind so long out of use both by himself and by other dramatists ? And just what kind of history play is Henry VIII ? The Prologue warns us that this is not the usual kind of stage history . This play , the Prologue declares , has none ...
Sida 341
... kind , than of / Our human generation " ( 31- 33 ) . Of course , these spirits are about to appear far less kind ( and yet are also about to be truly kind - even Christian - for their role in Ariel's upcoming sermon ? ) , but the ...
... kind , than of / Our human generation " ( 31- 33 ) . Of course , these spirits are about to appear far less kind ( and yet are also about to be truly kind - even Christian - for their role in Ariel's upcoming sermon ? ) , but the ...
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Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Upphovsrätt | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York