Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Volym 61Gale Research Company, 1984 |
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Sida 122
... speak " ( 11. 68- 69 ) ; however , it is equally possible that she remains at the king's throne throughout her speeches , for the stage direc- tion " She curtsies to the King and offers to depart ” ( S.D. , 1. 121 ) suggests that she ...
... speak " ( 11. 68- 69 ) ; however , it is equally possible that she remains at the king's throne throughout her speeches , for the stage direc- tion " She curtsies to the King and offers to depart ” ( S.D. , 1. 121 ) suggests that she ...
Sida 243
... speak - or remain silent - at its own direction . To see this refusal to speak as independently valuable , rather than as an offense to power , requires seeing outside of the political . This is true even for the one who is the object ...
... speak - or remain silent - at its own direction . To see this refusal to speak as independently valuable , rather than as an offense to power , requires seeing outside of the political . This is true even for the one who is the object ...
Sida 264
... speak ? Love and be silent " ( 1.1.62 ) . Cordelia's aside expresses a radical iconoclasm , a complete denial of language , of the possibility of any verbal com- munication with her father . Cordelia's stated intention to remain silent ...
... speak ? Love and be silent " ( 1.1.62 ) . Cordelia's aside expresses a radical iconoclasm , a complete denial of language , of the possibility of any verbal com- munication with her father . Cordelia's stated intention to remain silent ...
Innehåll
Masculine Identity and Feminine Power | 119 |
Religion History and Politics | 136 |
Further Reading | 158 |
Upphovsrätt | |
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Shakespearean Criticism: Excerpts from the Criticism of William ..., Volym 28 Fragmentarisk förhandsgranskning - 1984 |
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action alchemy Anne Antonio argues Ariel audience Belarius Britain Caliban Cambridge character Chronicles claim Cloten comedy conscience Cordelia court Cranmer creature critics Cymbeline Cymbeline's daughter death dramatic Edgar Edmund Elizabeth emblem England English essay father Fool Gloucester Goneril Goneril and Regan Guiderius Henry VIII Henry's Holinshed human Iachimo ideal Il pastor fido Imogen interpretation Jacobean James John Katherine Katherine's Kent King Lear king's kingdom Lear's London Lord love test magic marriage masque meaning ment Miranda moral narrative nature Orpheus patrilineal play play's plot political Posthumus Prince Prospero Queen reading Renaissance response role romance scene seems sense sexual Shake Shakespeare social speak speare speare's speech spirit stage Stephen Orgel suggests symbolic Tempest theater theatrical thee thou tion tragedy tragicomedy trial true truth Univ University Press virtue vision William Shakespeare Winter's Tale Wolsey Wolsey's words York