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having in the centre the elliptical tablet represented in the engraving opposite. It is four feet long and three wide, of hard stone set in the wall, and the sculpture is in bas-relief. Around it are the remains of a rich stucco border. The principal figure sits cross-legged on a couch ornamented with two leopards' heads; the attitude is easy, the physiognomy the same as that of the other personages, and the expression calm and benevolent. The figure wears around its neck a necklace of pearls, to which is suspended a small medallion containing a face; perhaps intended as an image of the sun. Like every other subject of sculpture we had seen in the country, the personage had earrings, bracelets on the wrists, and a girdle round the loins. The headdress differs from most of the others at Palenque in that it wants the plumes of feathers. Near the head are three hieroglyphics.
The other figure, which seems that of a woman, is sitting cross-legged on the ground, richly dressed, and apparently in the act of making an offering. In this supposed offering is seen a plume of feathers, in which the headdress of the principal person is deficient. Over the head of the sitting personage are four hieroglyphics. This is the only piece of sculptured stone about the palace except those in the courtyard. Under it formerly stood a table, of which the impression against the wall is still visible, and which is given in the engraving in faint lines, after the model of other tables still existing in other places.
At the extremity of this corridor there is an aperture in the pavement, leading by a flfght of steps to a platform; from this a door, with an ornament in stucco over it, opens by another flight of steps upon a narrow, dark passage, terminating in other corridors, which run