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Fronting the door, and against the back wall of the inner corridor, was a large stucco ornament representing a figure sitting on a couch ; but a great part has fallen or been taken off and carried away. The body of the couch, with tiger's feet, is all that now remains. The outline of two tigers' heads and of the sitting personage is seen on the wall. The loss or destruction of this ornament is more to be regretted, as from what remains it appears to have been superior in execution to any other stucco relief in Palenque. The body of the couch is entire, and the leg and foot hanging down the side are elegant specimens of art and models for study. The plate opposite represents this relief, and also a plan, section, and general view of the building. I have now given, without speculation or comment, a full description of the ruins of Palenque. I repeat what I stated in the beginning, there may be more buildings, but, after a close examination of the vague reports current in the village, we are satisfied that no more have ever been discovered; and from repeated inquries of Indians who had traversed the forest in every direction in the dry season, we are induced to believe that no more exist. The whole extent of ground covered by those as yet known, as appears by the plan, is not larger than our Park or Battery. In stating this fact I am very far from wishing to detract from the importance or interest of the subject. I give our opinion, with the grounds of it, and the reader will judge for himself how far these are entitled to consideration. It is proper to add, however, that, considering the space now occupied by the ruins as the site of palaces, temples, and public buildings, and supposing the houses of the inhabitants to have been, like those of the Egyptians and the present race of Indians, of frail and perishable materials, and, as at Memphis and Thebes, to have disappeared altogether, the city may have covered an im mense extent. The reader is perhaps disappointed, but we were not. There was no necessity for assigning to the ruined city an immense extent, or an antiquity coeval with that of the Egyptians or of any other ancient and known people. What we had before our eyes was grand, curious, and remarkable enough. Here were the remains of a cultivated, polished, and peculiar people, who had passed through all the stages incident to the rise and fall of nations; reached their golden age, and perished, entirely unknown. The links which connected them with the human family were severed and lost, and these were the only memorials of their footsteps upon earth. We lived in the ruined palace of their kings; we went up to their desolate temples and fallen altars; and wherever we moved we saw the evidences of their taste, their skill in arts, their wealth and power. In the midst of desolation and ruin we looked back to the past, cleared away the gloomy forest, and sancied every building perfect, with its terraces and pyramids, its sculptured and painted ornaments, grand, lofty, and imposing, and overlooking an immense inhabited plain; we called back into life the strange people who gazed at us in sadness from the walls; pictured them, in sanciful costumes and adorned with plumes of feathers, ascending the terraces of the palace and the steps leading to the temples; and often we imagined a scene of unique and gorgeous beauty and magnificence, realizing the creations of Oriental poets, the very spot which fancy would have selected for the “Happy Valley” of Rasselas. In the romance of the world's history nothing ever impressed me more forcibly than the specta.