Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 sidor |
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Sida 3
... fear , has forgot Britain . " Her readiness to pardon Iachimo's false imputations and his de- signs against herself , is a good lesson to prudes ; and may show that where there is a real attachment to virtue , it has no need to bolster ...
... fear , has forgot Britain . " Her readiness to pardon Iachimo's false imputations and his de- signs against herself , is a good lesson to prudes ; and may show that where there is a real attachment to virtue , it has no need to bolster ...
Sida 4
... Fear and niceness , The handmaids of all women , or more truly , Woman its pretty self , into a waggish courage . Ready in gibes , quick answer'd , saucy , and As quarrellous as the weazel ” - she interrupts him hastily ; 66 Nay , be ...
... Fear and niceness , The handmaids of all women , or more truly , Woman its pretty self , into a waggish courage . Ready in gibes , quick answer'd , saucy , and As quarrellous as the weazel ” - she interrupts him hastily ; 66 Nay , be ...
Sida 5
... fears may have been eclipsed by some painted jay of Italy ; she relies on her merit , and her merit is in the depth of her love , her truth and constancy . Our admiration of her beauty is excited with as little conscious- ness as ...
... fears may have been eclipsed by some painted jay of Italy ; she relies on her merit , and her merit is in the depth of her love , her truth and constancy . Our admiration of her beauty is excited with as little conscious- ness as ...
Sida 12
... fear more than we hate . She does not excite our loathing and abhorrence like Regan and Goneril . She is only wicked to gain a great end ; and is perhaps more distinguished by her commanding presence of mind and inexorable self - will ...
... fear more than we hate . She does not excite our loathing and abhorrence like Regan and Goneril . She is only wicked to gain a great end ; and is perhaps more distinguished by her commanding presence of mind and inexorable self - will ...
Sida 19
... to his character . From the strangeness of the events that surround him , he is full of amazement and fear ; and stands in doubt between the world of reality and the world of fancy . He sees sights not shown to mortal eye MACBETH . 19.
... to his character . From the strangeness of the events that surround him , he is full of amazement and fear ; and stands in doubt between the world of reality and the world of fancy . He sees sights not shown to mortal eye MACBETH . 19.
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
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admirable affections Antony Apemantus appear banish Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic contempt Cordelia Coriolanus critic CYMBELINE death Desdemona Dost thou doth dramatic eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave hath hear heart heaven Henry honor human humor Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion PERDITA person pity play poet poetry prince racter revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's SIR TOBY sleep soul speak speare's speech spirit stage story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto villain wife youth