Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 sidor |
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Sida xiii
... nature , on the other hand , he carries nature into the re- gions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extraordinary , the wonderful , and the unheard - of , in such PREFACE .
... nature , on the other hand , he carries nature into the re- gions of fancy , lying beyond the confines of reality . We are lost in astonishment at seeing the extraordinary , the wonderful , and the unheard - of , in such PREFACE .
Sida 11
... hand to tear aside the veil which hides the uncertainty of the future . He is not equal to the struggle with fate and conscience . He now " bends up each corporal in- strument to the terrible feat ; " at other times his heart misgives ...
... hand to tear aside the veil which hides the uncertainty of the future . He is not equal to the struggle with fate and conscience . He now " bends up each corporal in- strument to the terrible feat ; " at other times his heart misgives ...
Sida 14
... hand . In speaking of the character of Lady Macbeth , we ought not to pass over Mrs. Siddons's manner of acting that part . We can conceive of nothing grander . It was something above nature . It seemed almost as if a being of a ...
... hand . In speaking of the character of Lady Macbeth , we ought not to pass over Mrs. Siddons's manner of acting that part . We can conceive of nothing grander . It was something above nature . It seemed almost as if a being of a ...
Sida 15
... hand ; the transitions from triumph to despair , from the height of terror to the repose of death , are sudden and startling ; every passion brings in its fellow - contrary , and the thoughts pitch and jostle against each other as in ...
... hand ; the transitions from triumph to despair , from the height of terror to the repose of death , are sudden and startling ; every passion brings in its fellow - contrary , and the thoughts pitch and jostle against each other as in ...
Sida 18
... hands , and indeed in the hands of any other poet , would be merely repetitions of the same general idea , more or less exaggerated — are distinguished by traits as precise , though of course less violent , than those which separate ...
... hands , and indeed in the hands of any other poet , would be merely repetitions of the same general idea , more or less exaggerated — are distinguished by traits as precise , though of course less violent , than those which separate ...
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
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admirable affections Antony Apemantus appear banish Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic contempt Cordelia Coriolanus critic CYMBELINE death Desdemona Dost thou doth dramatic eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave hath hear heart heaven Henry honor human humor Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion PERDITA person pity play poet poetry prince racter revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's SIR TOBY sleep soul speak speare's speech spirit stage story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto villain wife youth