Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 sidor |
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Sida xv
... strike twice on the same place . An ancient rhetorician delivered a caution against dwelling too long on the excitation of pity ; for nothing , he said , dries so soon as tears ; and Shakspeare acted conformably to this ingenious maxim ...
... strike twice on the same place . An ancient rhetorician delivered a caution against dwelling too long on the excitation of pity ; for nothing , he said , dries so soon as tears ; and Shakspeare acted conformably to this ingenious maxim ...
Sida 1
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are ex- plained by the different speakers , as occasion renders it neces- sary . The action is less concentrated in consequence ...
... striking parts of the story are thrown into the form of a dialogue , and the intermediate circumstances are ex- plained by the different speakers , as occasion renders it neces- sary . The action is less concentrated in consequence ...
Sida 2
... striking means . The pathos in Cymbeline is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom over- spreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
... striking means . The pathos in Cymbeline is not violent or tragical , but of the most pleasing and amiable kind . A certain tender gloom over- spreads the whole . Posthumus is the ostensible hero of the piece , but its greatest charm is ...
Sida 6
... striking and powerful contrasts in which Shakspeare abounds could not escape observation ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character , and to maintain a continuity of feeling ...
... striking and powerful contrasts in which Shakspeare abounds could not escape observation ; but the use he makes of the principle of analogy to reconcile the greatest diversities of character , and to maintain a continuity of feeling ...
Sida 11
... striking of any . The wildness of the scenery , the sudden shifting of the situa- tions and characters , the bustle , the expectations excited , are equally extraordinary . From the first entrance of the Witches and the description of ...
... striking of any . The wildness of the scenery , the sudden shifting of the situa- tions and characters , the bustle , the expectations excited , are equally extraordinary . From the first entrance of the Witches and the description of ...
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
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admirable affections Antony Apemantus appear banish Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic contempt Cordelia Coriolanus critic CYMBELINE death Desdemona Dost thou doth dramatic eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave hath hear heart heaven Henry honor human humor Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion PERDITA person pity play poet poetry prince racter revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's SIR TOBY sleep soul speak speare's speech spirit stage story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto villain wife youth