Characters of Shakespeare's PlaysWiley and Putnam, 1845 - 229 sidor |
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Sida x
... thoughts , whether from carelessness or caprice , fall short of the point of truth always aimed at , they nevertheless ... thought , and always brilliant in ex- pression . Right or wrong , they cannot be read with in- difference ; for ...
... thoughts , whether from carelessness or caprice , fall short of the point of truth always aimed at , they nevertheless ... thought , and always brilliant in ex- pression . Right or wrong , they cannot be read with in- difference ; for ...
Sida xii
... thought not impossible to improve on the manner in which the German critic has executed this part of his design were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing ...
... thought not impossible to improve on the manner in which the German critic has executed this part of his design were in avoiding an appearance of mysticism in his style , not very attractive to the English reader , and in bringing ...
Sida xix
... thought and accident . Hence he could judge neither of the heights nor depths of poetry . Nor is this all ; for being conscious of great powers in him- self , and those powers of an adverse tendency to those of his author , he would be ...
... thought and accident . Hence he could judge neither of the heights nor depths of poetry . Nor is this all ; for being conscious of great powers in him- self , and those powers of an adverse tendency to those of his author , he would be ...
Sida xxii
... thoughts and the language , and his tragedy , for the greater part , by incident and action . His tragedy seems to be skill , his comedy to be instinct . " Yet after saying that " his tragedy was skill , " he affirms in the next page ...
... thoughts and the language , and his tragedy , for the greater part , by incident and action . His tragedy seems to be skill , his comedy to be instinct . " Yet after saying that " his tragedy was skill , " he affirms in the next page ...
Sida 3
... oh husband , shall be thought Put on for villainy : not born where ' t grows , But worn a bait for ladies . Pisanio . Good Madam , hear me— Imogen . Talk thy tongue weary , speak : I have heard I am a strumpet , and mine CYMBELINE .
... oh husband , shall be thought Put on for villainy : not born where ' t grows , But worn a bait for ladies . Pisanio . Good Madam , hear me— Imogen . Talk thy tongue weary , speak : I have heard I am a strumpet , and mine CYMBELINE .
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Characters of Shakespeare's Plays: & Lectures on the English Poets William Hazlitt Ingen förhandsgranskning - 2015 |
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admirable affections Antony Apemantus appear banish Banquo beauty Ben Jonson blood Bolingbroke breath Brutus Cæsar Caliban Cassius character circumstances CLAUDIO comedy comic contempt Cordelia Coriolanus critic CYMBELINE death Desdemona Dost thou doth dramatic eyes Falstaff fancy fear feeling fool friends genius give Gonerill grace grave hath hear heart heaven Henry honor human humor Iago imagination Juliet JULIUS CÆSAR king lady Lear live look lord lover Macbeth MALVOLIO manner Mark Antony MIDSUMMER NIGHT'S DREAM mind moral nature never night noble Othello passages passion PERDITA person pity play poet poetry prince racter revenge Richard Richard III Romeo ROMEO AND JULIET scene seems sense Shak Shakspeare Shakspeare's SIR TOBY sleep soul speak speare's speech spirit stage story striking sweet tender thee things thou art thought tion Titus Andronicus tragedy true truth unto villain wife youth