A History of Literary Aesthetics in AmericaUngar, 1973 - 388 sidor |
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Sida 26
... sentiment of the infinite . The three conditions of taste are the sentiment of the beautiful , reason , and the representative faculty . Genius is taste in action . Genius is the vivid and rapid perception of the proportion in which the ...
... sentiment of the infinite . The three conditions of taste are the sentiment of the beautiful , reason , and the representative faculty . Genius is taste in action . Genius is the vivid and rapid perception of the proportion in which the ...
Sida 38
... sentiment . Channing was Allston's brother - in - law and like Allston he fell under the spell of Coleridge , whom he saw in Europe in 1821. Coleridge's Biographia Literaria and Madame de Staël's Germany stimulated in him an interest in ...
... sentiment . Channing was Allston's brother - in - law and like Allston he fell under the spell of Coleridge , whom he saw in Europe in 1821. Coleridge's Biographia Literaria and Madame de Staël's Germany stimulated in him an interest in ...
Sida 320
... sentiment . . . . Sentiment is ... intellectualized emotion , emotion precipitated , as it were 320 A History of Literary Aesthetics in America.
... sentiment . . . . Sentiment is ... intellectualized emotion , emotion precipitated , as it were 320 A History of Literary Aesthetics in America.
Innehåll
EARLY INTIMATIONS OF AESTHETIC SENSIBILITY | 1 |
FOREIGN SOURCES AND THE AESTHETICS OF CRITICISM | 16 |
ALLSTONS POETICS AND THE AESTHETIC OF HIS TIME | 33 |
Upphovsrätt | |
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Adams aesthetic experience aesthetic theory aestheticians Allston American analysis artist Baym Chapter Charles Carroll Everett cited Coleridge creative Croce definition Dewey DuBois-Reymond Ducasse elements Eliot Elizabeth Peabody Emerson emotion essay expression F. O. Matthiessen feeling Frost Gaston Bachelard genius George Santayana Goethe Hegel Henry human Hyman I. A. Richards Ibid idea ideal images imagination imagist intellectual intuition Kant Kedney knowledge Langer language literary aesthetics Literary Criticism literature logical Madame de Staël Max Eastman meaning metaphor metaphysics mind modern nature noted object passim Pepper perception philosophy pleasure poem poet poet's poetic poetry principle prose Psychology Puffer Ransom reality relation remark rhythm romantic romanticism Santayana Schiller scientific sensation Sense of Beauty sensibility Spingarn spirit Stevens sublime suggested symbol T. S. Eliot texture thetic things thought tion truth unity University Press Weitz Wheelwright Whitman William words York
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